Straight outta the Bronx in New York City, The Martinez Brothers — and yes, they are actually siblings; Stevie is three years older than Chris...
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As they kick off their Tuesday night headline residency at Hï Ibiza, New York natives The Martinez Brothers catch up with DJ Mag Ibiza's Mick Wilson about their love for the White Isle and their big plans for the coming season
With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music
The Prodigy have defined a movement, a generation. Their new album is out today
“I think we should be a British institution. Everyone goes on about all of these other people from the '90s like Blur and Oasis, but...
Post-pandemic, as UK clubs have attempted to regroup, they’ve been impacted by soaring energy bills, rising costs and hesitant ticket buyers. Jack Ramage talks to club owners and promoters about how they’re weathering the storm, and asks what can be done to ameliorate the situation?
Sticky Tapes, eott and Don’t Keep Hush tell Jack Ramage how they’re helping to shift perceptions around wellbeing in dance music
Best known among dance music fans for collaborating with Daft Punk on ‘Discovery’s ‘One More Time’ and ‘Too Long’, Romanthony's ‘Romanworld’ found the US producer's...
DJ Mag heads to Belfast to take a tour around the hometown of rising DJ/producer Richie Blacker, whose music has appeared on labels like Skream's Of Unsound Mind and Anjunadeep
He was the Electrifyin’ Mojo of the indie disco. The bootleg king. The electroclash god. But when each of those scenes imploded, Erol Alkan stepped...
Erol Alkan was 27 when he received his first album offer. Kylie Minogue had just performed his ‘Can’t Get Blue Monday Out of My Head’...
During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’
Italo disco is everywhere again. But what does Italo even mean today, and is it at risk of being diluted into a catch-all term for anything with an '80s disco sparkle? Joe Roberts dives into the genre's history, and chats to some of its new devotees and longstanding champions about its ever-evolving sound
Leslie delivered the most educated, informed and damning defense of the evening...
fabric had its licence revoked in the early hours of this morning (7th September), at the end of a licensing hearing that saw Islington Council...
Soaring ascents, the kind that can take an artist from obscurity to stardom in what seems to be the blink of an eye, don’t occur often, in dance music or elsewhere – those who are lucky enough to have that experience often disappear just as quickly. But there’s little chance of a quick fade for South Africa’s Palesa Desiree Shilabje, the DJ and producer known to the world as DESIREE, who in just a few short years has proved to be one of the international festival circuit’s most exciting new stars. Here, Bruce Tantum hears her story, and about how her evolution through music has been as organic as they come
As DJs, producers and labels all get their biggest musical bombs ready for Miami’s annual musical showcase, DJMag looks back at the history of Big...
Is it the dance music equivalent of the Holy Grail or a merely an empty, outdated myth? That’s the question hanging over the concept of...
DVS1 is one of techno’s most well-respected DJs. He’s paid his dues, spent a couple of decades getting to where he is today, and it’s...
London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live