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Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...

Brixton-based DJ NAINA has been a host on Reprezent 107.3FM for the best part of a decade, and a presenter for Beats 1 radio for...

The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...

Even if you’ve never consciously set out to listen to ‘What They Say’ by Maya Jane Coles, you’ve almost certainly heard it before. Over the...

Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...

As 2019 drew to a close, Loraine James found herself at a crossroads. Buoyed by the success of her breakthrough album for Hyperdub, ‘For You...

At Portugal’s Semibreve festival, we sat down with Suzanne Ciani, a pioneer of electronic music and modular synthesis, and dance music disruptor Rian Treanor, who...

As electronic music evolves, its web becomes trickier to trace. As historical strands reach outward and merge, creating new sounds, performance styles and scenes, the...

Salute looking straight at the camera. They are wearing a multi-coloured fluffy sweater and leaning with their hands placed on a pool table

Vienna-born, Manchester-based salute’s DJ sets and productions shine at the intersection of garage, French house and ‘80s synth styles. Ahead of the release of their star-studded debut album on Ninja Tune, they tell Kamila Rymajdo about their musical upbringing, flying the flag for Black artistry, and their joyful sound that, simply, makes people feel good

salute is thinking about their legacy. “I want to make music not just for the sake of making music, I want to do it because...

Dedicated to breaking down cultural binaries and taking on the music industry juggernaut, SOPHIE has obliterated the lines between underground dance music and commerical pop...

It’s a blistering afternoon in Ibiza, and the sun feels laser-trained on the Hard Rock Hotel, where the International Music Summit is taking place. The...

DJ Fresh has had a life of vertiginous highs and crushing lows — from his time in drum & bass supergroup Bad Company, to having No.1...

DJ Fresh still vividly remembers where he was the moment he knew his health was in trouble. “I was sitting in traffic on the Hammersmith flyover, driving home from the...

Since the international rise of acts like Black Coffee and Culoe De Song, the spotlight is shining once again in the direction of the South...

A nation defined by its innate love of house music, the Rainbow Nation is going through a renaissance which has helped spur GQOM OH! —...

The DJ Mag USA cover star keeps it all in the family, DIY style...

After a decade spent pushing creative new sounds through the European underground, Solomun celebrates Diynamic Music's 10th birthday with a party concept that's as unique...

They’re touted as a legislative firewall to keep Aussie partygoers safe, but have Australia’s unpopular ‘lockout laws’ irreparably damaged Down Under’s nightlife for good? DJ Mag...

A few weeks ago, a pair of successful Australian DJs wrote a letter. The now-famous note wasn’t to a manager, a booking agent or even...

It's not just the Football that's putting Brazil in the spotlight...

“Brazil is having a bit of a moment,” says Flow, the female half of the Rio-based girlfriend-and-boyfriend house DJ/production duo Flow & Zeo.
“Something exciting...

Fatboy Slim talks us through his classic record, 'Praise You'...

By the mid-'90s, Norman Cook had been involved in three UK No.1 records. First there was the acapella 'Caravan of Love' in 1986 with Hull-based...

Photo of RIOT CODE wearing a blank tank top in a dark room, with a large beam of light shining around him from the back

Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds

It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...

Despite being largely ignored by the west, Moscow has had a rich bass scene for over a decade. After reaching an impasse in 2015 as...

Moscow’s bass scene has a long and trend-setting history, although it’s not had much attention in the west. A number of the city’s promoters have...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...

“I miss doing house stuff,” says Inês Borges Coutinho, laughing, a little frustrated. She’s not talking about music – thankfully, there’s lots of that. She...