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French electro team Justice are preparing for a full-scale assault on the USA. The hottest production team on Earth, they're going all out to win...

It was in 2005 that a new sound first exploded into our eardrums. Appearing on then little-known Parisian record label Ed Banger, when the sonic...

We pick the brains of the Berlin-based tech producer, TJ Hertz...

Objekt is TJ Hertz — a Berlin-dwelling producer who's gained notoriety with a series of carefully crafted dancefloor focused 12s for a select group of...

Two generations of Black women speak about their experiences in dance music

After reflecting on how we can tackle the issues around racism and racial injustice within the electronic music industry as a publication, we delivered our...

Chicago's Hieroglyphic Being records one hour of fuzzy-and-jazzy live techno for the On Cue mix series, and speaks to Lauren Martin about surviving as an...

Dillon Francis steps further into the spotlight with the release of his debut album, 'Money Sucks, Friends Rule'...

It’s the cusp of fall in Los Angeles, and one of the hottest days of the year. The air is thick and heavy; its weight...

In the early ‘90s, dubplates, exclusive early pressings of unreleased music, fuelled the buzz around DJs in the emergent jungle scene. In an excerpt from...

Exalted among the many musical innovations that Jamaica has given the world is the dubplate. An acetate pressing of unreleased music, produced especially for DJs...

'Basic Colour Theory' is anything but just another dance album. We sat down with them to find out about the philosophy behind it...

Polish duo Catz 'N Dogz are no strangers to DJ Mag readers. Rising to underground recognition over the past five years through their association with...

plugin subscriptions

As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency? 

Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...

The trance artist distanced himself from the group in June 2018, citing “mismanagement”...

Former Dash Berlin member Jeffrey Sutorius, has issued a second statement regarding his split from the longstanding trance group in June this year.

At the...

Funk-dripped drum & bass head plays us his most inspiring tracks

Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.

The creepy synth sounds of horror movie soundtracks by Goblin, Fabio Frizzi and John Carpenter have proven hugely influential on modern electronic music. DJ Mag...

But whilst these cheap horror films with their copious sex and violence might not have brought about the nation’s moral decay, they have wormed their...

The cover of beastie boys' 'Ill Communication' on a dark background, with a distorted yellow version of the cover marked into it

The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how

‘Ill Communication’ wasn’t the biggest Beastie Boys album; that medal goes to the multi-million selling ‘Licensed to Ill’. Nor was it the New York trio’s...

Detroit-raised polymath Jimmy Edgar has always stood out as an artist of out-there brilliance. But since starting Ultramajic, alongside Machinedrum and Pilar Zeta, he’s manifested...

"The universe is all about creativity, it's all about learning, it's all about knowledge," Jimmy Edgar ventures when we sit down to talk about Ultramajic...

TYGAPAW: music for the revolution

TYGAPAW makes music with a message of liberation, and of working toward a world where everyone is free to be true to themselves. It also happens to be music that slams. Bruce Tantum meets the Brooklyn-based artist to learn about their long journey to get to where they are now, and the road ahead

There’s a documentary called Underplayed, released in 2020, that focuses on gender, ethnic, and sexual equality issues within the electronic music world as seen “through...

Blue illustration of a pair of headphones with swirling blue soundwaves coming out of either side

More and more artists and listeners are discovering the benefits of ambient music to our mental health. Here, Manu Ekanayake speaks to artists Meemo Comma, Auntie Flo, CLAIR and KMRU about its therapeutic qualities, and learns how one NHS neuroscientist, James Kilner, is using it to help people with anxiety and depression

Fans of ambient music will know that the genre takes its name from Brian Eno’s seminal 1978 album, ‘Ambient 1: Music For Airports’. Meanwhile, the...