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A chat with OWSLA regular, Kill The Noise

As Kill the Noise, Jake Stanczak rode the builds and drops of bass music to mass acclaim in the brostep era ...

Rockwell doesn't want to make poppy drum & bass for mainstream radio consumption. Instead, as evidenced on debut album 'Obsolete Medium', he pushes the envelope...

“If you write drum & bass for the money, you're a fucking idiot,” claims Tom Green. Better known as Shogun Warrior, Rockwell, Green may speak...

DJ Mag grabs Ryan Crosson for a moment of his time...

Ryan Crosson DJ/Producer/Label Head is one part of the Visionquest crew, he has circumvented the globe in pursuit of his trade, residing in many of...

Audeze’s new EL8 headphones deliver audacious sound at a relatively affordable price

Audeze are making huge waves in production circles. Their LCD X headphones have been adopted by producers and DJs, and are regularly getting props in...

House kings the Rhythm Masters return...

One of the biggest UK house music partnerships of the 1990s and early noughties, the Rhythm Masters return to the fold this month with their...

Drum & bass MC eases out 'Mid Mic Crisis' on Marcus Intalex's label

MC DRS first got into MCing when he rocked up to a rave where Marcus Intalex was playing near Manchester, and asked for a go...

While most kids play video games, get bored and move on to something else, Audien turned his affinity for the activity into a burgeoning career...

“Some people, when they hear music, they just to listen to it. I’m more of a hands on type of guy,” Nate Rathbun, aka Audien...

Happy to mix up the genres, Love’s taste in music is right across the board, placing him in good stead to reveal his Lucky 7.

“It’s a good little track, it just came out of nowhere, it’s taken me by surprise,” Ali Love reflects, in his typically nonchalant manner, on...

Toolroom trax

From now until February Mark is going to be working on his artist album, having already produced for Underworld and Faithless. It’s an exciting, credible project aimed at touring main stages.

Is nothing original anymore?

There are so many nonsensical phrases that people love blindly bandying about. You know the ones, the proverbial drivel that people throw around in states of cod-philosophical self-approbation, even if it actually makes about as much sense as Joey Barton’s Twitter feed.

Chat with Kyle Hall + massive Eastern Electrics giveaway

As if Eastern Electrics Festival Afterparty wasn’t already as crammed as a Central Line train during rush hour – albeit one full of sweaty, whooping...

DJ Paulette behind the decks

Manchester-based DJ Paulette — pivotal in several of the most significant moments in European electronic music history — has won this year’s Lifetime Achievement award

DJ Paulette has been active as a DJ, radio and TV host, A&R and PR for over 30 years, in the thick of the action...

Ultra Naté’s house anthem ‘Free’ went from club anthem to international pop hit in the late 1990s. Broken by Louie Vega at the 1997 WMC...

It's precisely 9am in Baltimore. Ultra Naté — her real name — is raring to go. “It's not super-early,” says the super-professional 53 year old...

How can we make clubbing better for disabled people? When events return in 2021, clubs need to be more accessible for disabled guests and performers...

Dance music has never appeared to be more accessible. Despite clubs being closed for over a year, new crews and initiatives are constantly popping up...

Castlemorton 1992: photographing the Illegal rave that changed UK dance music forever

2022 marks the 30th anniversary of the biggest and the most infamous illegal rave that ever took place: Castlemorton – a week-long, 20,000-person party deemed so anarchistic that it shook Middle England to its core. Here, photographer Alan Lodge tells his story of capturing a week changed UK dance music forever

It started on a particularly sunny bank holiday weekend, on the 22nd May 1992. A ramshackle convoy of vehicles, which served as the rag-tag homes...