While ADE did go ahead in a scaled-down fashion at the end of 2021, it’s widely agreed by delegates at this year’s event that 2022...
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The Prodigy’s fans — nicknamed the Ant Army — are some of the most dedicated for any band. Ahead of their new album, Prodigy expert...
Amsterdam Dance Event returned for its annual industry takeover earlier this month, showcasing more than 1,000 events at over 200 venues. With ADE back in full force post-pandemic, DJ Mag's Amy Fielding, Ben Hindle, Carl Loben, Ria Hylton and Rob Mccallum head out to the Dutch capital to sample the plethora of panels, parties and workshops on offer
We chat Bicep in light of their We Love Space CD
Bicep boys, Matt McBriar and Andy Ferguson, are childhood friends from Belfast and went to the same school through their teenage years before taking the leap to different universities. They recently mixed the DJ Mag covermount. Out now.
In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape
Avian accomplices Armand Van Helden and A-Trak are Duck Sauce — the fun-loving duo behind house mega-hit ‘Barbra Streisand’, as well as countless underground club smashes...
In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks
The funding of independent radio stations is always precarious, but the current cost-of-living and energy crises threaten their survival. Following the shuttering of Worldwide FM and Bristol’s SWU FM, we look at the challenges facing these beloved cultural lifelines
Roland’s 909 drum machine is responsible for the rhythm of house and techno, and countless classics of dance and pop. Exactly 35 years after its...
If there’s one instrument that faithfully captures the true spirit and essence of electronic music, it’s the Roland TR-909 Rhythm Composer: a machine that has...
Vienna-born, Manchester-based salute’s DJ sets and productions shine at the intersection of garage, French house and ‘80s synth styles. Ahead of the release of their star-studded debut album on Ninja Tune, they tell Kamila Rymajdo about their musical upbringing, flying the flag for Black artistry, and their joyful sound that, simply, makes people feel good
The latest and greatest DJs and producers rising to the top this month. From bassy breaks and minimal techno to fizzing hyper-pop, experimental lo-fi and beyond, here’s May 2024’s list of upcoming talent you should be keeping track of
London-based DJ, producer and live artist TSHA has risen rapidly in the scene, and is receiving her flowers with grace. But it hasn't always been easy. As she prepares to release her stunning debut LP, 'Capricorn Sun', on Ninja Tune, she speaks to Amy Fielding about overcoming online trolls, astrology, the art of DJing and more
Nine essential documentaries, focused on the classic '80s and '90s hip-hop that laid the foundation for rappers to build a world-conquering movement
When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story
Soul II Soul helped give Black British music and UK club sounds a truly unique identity. Collective founder Jazzie B talks about their ground-breaking debut, ‘Fairplay’, and traces his journey from London soundsystem culture to global star with Ben Osborne
Released on 25th May 1984, ‘Smalltown Boy’ launched the gay synth-pop band Bronski Beat into the charts and onto dancefloors with its glorious synths, hi-NRG production and Jimmy Somerville’s soaring falsetto, which sang a story of rejection, pain and escape. Here, with the help of musicians, its iconic video's director and others, Bailey Slater explores how, four decades on, it remains an unflinching anthem of queer liberation