"I perhaps could have been a bit more cautious,” Aluna Francis — sitting in her downtown LA home, sunglasses perched upon her braided blue coif...
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Nick Douwma presents his vision with new album ‘Torus’
Although he may take his sweet time to churn out a full length, Nick Douwma - more commonly known as Sub Focus – certainly knows...
Brooklyn, NYC duo Wolf + Lamb aren't just a DJ/production outfit. They're a movement, a label, a club, and extended family of like-minded artists, offering...
Few artists inspire a devotion bordering on the religious. But the gospel according to Wolf + Lamb has already spread far and wide, their near...
Baldy DJ Lee Burridge sends us his diary every month. This time he reports from Down Under, where he narrowly avoided getting eaten by a...
I had my heart set on Melbourne as one of the seven locations for 365 in the first year.
I chose it for many different...
Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival
In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings
When starting out in the industry, musicians and producers have what can often seem like an insurmountable number of new skills to learn outside of making music. With seemingly countless distributors offering widely varying features and products, choosing how to get your music on streaming services can be confusing. This guide seeks to demystify one of the most confusing aspects of releasing music
DJ Mag catches up with three of UK rap and drill’s most active and influential engineers — Manon Grandjean, Dukus and Sean D — to...
Ultra Naté’s house anthem ‘Free’ went from club anthem to international pop hit in the late 1990s. Broken by Louie Vega at the 1997 WMC...
From the underground mixtape beatmakers, to those crossing over into the rap mainstream and drill scenes at home and abroad, Colin Gannon asks — who...
Over the past 10 years, DJing has undergone seismic transformations in technology and process. New styles of DJing have emerged, and some have had huge...
Vinyl is more popular than it’s been in years, and wax-only labels are seen as some of the best in dance music. But is our...
We're still deep in the midst of a resurgence in vinyl culture. Vinyl sales continue to rise year on year, up 12% in 2018, and vinyl-only...
Bordeaux-based DJ, producer, and label/talent agency owner Anetha is known for her inventive techno tracks and all-encompassing sets, but on her debut album, she’s put her voice front and centre for the first time. Claire Francis speaks to her about celebrating motherhood, platforming new artists, and her love of fashion
The dance music history of East Anglia is rich, multi-layered and messy — and little documented. Matt Anniss chats to some of the scene’s longstanding figureheads about the region’s airfield parties, seaside throwdowns and forgotten clubs, discovering a vital but rarely discussed stage in the UK’s rave evolution
On his upcoming 25-track opus ‘Ancestorz’ — which he describes as his life's work — long-serving jungle soldier Congo Natty unites many voices from across the diaspora, joining dots through the history of Black music and celebrating the new jungle generation. In a series of in-depth interviews for DJ Mag, he talks to Dave Jenkins about love, revolution, unity, and reclaiming his place in the history books
Black-owned music organisations, radio stations and record labels are helping to create vital platforms for Black producers and DJs who’ve been held back by systemic...