Few tracks capture the exciting crux and flux of mid-2000s house and techno quite as succinctly as Âme’s ‘Rej’. A palpitating journeyman beacon flashing urgently...
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Crossing over to practically every genre, DJ and dancefloor in 2005, ‘Rej’ is an evergreen classic. Ahead of the 100th release on Innervisions, Âme discuss...
We troll him about his hatred of EDM...
Uncompromising, passionate, and very opinionated: Dave Clarke is the man John Peel famously dubbed the Baron of Techno. As one of the consultants for the...
Dillon Francis steps further into the spotlight with the release of his debut album, 'Money Sucks, Friends Rule'...
It’s the cusp of fall in Los Angeles, and one of the hottest days of the year. The air is thick and heavy; its weight...
It's not just the Football that's putting Brazil in the spotlight...
“Brazil is having a bit of a moment,” says Flow, the female half of the Rio-based girlfriend-and-boyfriend house DJ/production duo Flow & Zeo.
“Something exciting...
One of the Internet’s most talked-about acronyms — which stands for non-fungible token — is redefining digital ownership. But could NFTs really revolutionise the music...
No one represents drum & bass quite like DJs Fabio & Grooverider...
Sure, there are other obvious contenders, but Fab and Groove were there right at the beginning. They didn't just sit at the table — they...
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Rising to notoriety in the ’90s with his hardcore techno DJ sets, Loftgroover had a huge following, before the pressures of popularity led him to withdraw from the scene. 30 years later, he’s back and rejuvenated as a d&b DJ. Holly Dicker learns his story
Photographer Stuart Linden Rhodes, known mononymously Linden, spent the ‘90s capturing the queer clubbing scene in the north of England on his camera. Now his...
The latest and greatest DJs and producers rising to the top this month. From high-velocity techno and house to psychedelic jazz and d&b, here's March...
California's rave history is rooted in outdoor free parties that celebrated psychedelic music and and unique environments. DJ Mag's Matt Anniss speaks to the Bay...
For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...
By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...
From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness
Analysing the key trends from the voting in this year's DJ Mag Top 100 DJs poll, in aid of Unicef, as Martin Garrix takes the top spot
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...