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Ageism in the dance music industry is a subject that is being discussed more and more, particularly its impact on employment. But what about its...

A dark club, flashing lights, a crowd reaching for the roof as the DJ drops a huge track and a roar of jubilation as the...

Roland’s 909 drum machine is responsible for the rhythm of house and techno, and countless classics of dance and pop. Exactly 35 years after its...

If there’s one instrument that faithfully captures the true spirit and essence of electronic music, it’s the Roland TR-909 Rhythm Composer: a machine that has...

For long-serving Berlin techno queen Ellen Allien, a return to the physical — in both the way she plays and makes music — has re-energised...

She's been playing gigs in record shops, buying and playing lots of vinyl, and made her new album, 'Nost', using mainly analogue equipment. Her seventh...

Stepping away from EDM, musical foundations, why Ibiza still trounces Las Vegas, and more...

Kölsch is a man of taste. Well over six foot tall and wearing his signature black Panama hat, he exudes warmth and charisma when we...

Dubstep figurehead Skream has gone euphoric, smashed the templates, and upped the tempos. His new album ‘Outside The Box’ confirms he’s not content to be...

Remember a few years back? All that hoo-ha about nu-rave? Which sounded so promising but proved to be nothing more than a few indie kids...

Daniel Avery in black and white looking at the camera in a big fur coat, white shirt and black tie

Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall

It’s a Monday morning, and we’re sitting in the garden of a modest café in Newington Green, North London. Outside, the final rays of summer...

Kneecap

Belfast’s Irish language rap trio Kneecap have created a serious buzz with their fiery, politically-attuned lyrics and chaotic live shows. Their Toddla T-produced debut album, ‘Fine Art’, and forthcoming feature film are set to catapult them even further onto the global stage. But as Brian Coney learns, their commitment to their native tongue, doing things their own way, and reshaping the narrative of modern Belfast remains their top priority

"I think we have a weird kink for making things really hard for ourselves," says Móglaí Bap, seated with his fellow Kneecap members Mo Chara...

DJ Screw

In his new book, Lance Scott Walker tells the story of DJ Screw, the maestro of Houston’s chopped ‘n’ screwed ‘90s rap scene. Here, Marke Bieschke speaks to the author about this unique moment in hip-hop history, and Screw's incredible legacy

Why did hip-hop slow down to a syrupy crawl in Houston, Texas, three decades ago? There are many theories, but Houstonians, who had come late...

Plastician by Brynley Davies

Upstart tech like blockchain has been dominating discourse around the music industry's next steps and has become one of the most divisive trends of the past 12 months. Declan McGlynn speaks to Plastician about why he believes it's the future for independent labels, promoters and artists 

Plastician is a name synonymous with grime, dubstep and bass pressure in all its forms. He built his sound and rep as a host on...

As dance music’s top-heavy, tour-focused infrastructure crumbles, people across the industry are wondering how new revenue streams can emerge to support artists during and after...

It’s been four months since COVID-19 sent dancers into deep freeze. With no sign of a vaccine, the suspicion is that clubs will stay closed...

Before his death in 1982, Patrick Cowley produced some of the American gay underground's most thrilling dance music, from chart-topping disco to radical club tracks...

There’s a notorious scene in 1980 thriller Cruising that might be the best fictional time capsule we have of a wanton, unfettered gay dance floor...

From her label to her radio show to her MoodRAW and MoodZONE events, Nicole Moudaber has emerged as techno’s most tireless ambassador. DJ Mag North...

Nicole Moudaber loves to keep moving. Everything about the DJ, producer and label boss evokes constant motion, from her propulsive, percussive music to her trademark...

Influenced by hip-hop and halftime drum & bass, Ivy Lab and their label 20/20 LDN have a new vision for future beats. With their debut...

"I didn't really want to do it. Why on earth would I want to hook up with two kids?" laughs Gove Kidao. One half of...

Various pieces of artwork for Bronski Beat's 'Smalltown Boy'

Released on 25th May 1984, ‘Smalltown Boy’ launched the gay synth-pop band Bronski Beat into the charts and onto dancefloors with its glorious synths, hi-NRG production and Jimmy Somerville’s soaring falsetto, which sang a story of rejection, pain and escape. Here, with the help of musicians, its iconic video's director and others, Bailey Slater explores how, four decades on, it remains an unflinching anthem of queer liberation

When you think of the voices that defined a generation, the 1980s had plenty of options. From Sade and Sinead O’Connor to George Michael and...

Photo of Eamon Harkin and Justin Carter DJing sitting on a green sofa in a pink-lit warehouse

In early 2009, Eamon Harkin and Justin Carter launched Mister Saturday Night. The party formed the roots of what would eventually become the beloved nightspot Nowadays, a “by us, for us” club that’s become a community hub for NYC’s nightlifers. Following the release of a sprawling box-set to mark the party’s 15th anniversary, and alongside a mix recorded live from the club, Harkin, Carter and a few of the compilation’s featured artists fill us in on what makes Mister Saturday Night so special

It began, as many projects do, because of a nagging discontent with the way that things were. It was the late ’00s, and New York...