It’s a warm, sunny afternoon in northern Paris, and the streets are bustling with people going about their daily business. Locals line the streets trying...
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With a mix about to drop in Fabric's celebrated series, DJ Mag joins Alan on the road...
We’re standing behind the booth, staring at an endless sea of Glaswegians bathed in strobes — baying for more. Or that’s what it sounds like...
Features
Inspired by the sci-fi movies of their youth, the new concert film IRIS: A Space Opera is the latest ambitious venture by Justice. DJ Mag...
This is the world's first truly integrated audio visual mixer for DJs, but it's only available to the elite, loaded few.
Pioneer like leading the path and they've done it again with the SVM-1000 and now DJing will never be the same again. The SVM-1000 enables...
Features
In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks
Xavier de Rosnay & Gaspard Augé speak up...
The analogue synth craze is out of control. It’s hit its apex with SURVIVE’s John Carpenter-style soundtrack to Netflix sci-fi show Stranger Things. Now everyone’s...
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A FEW WORDS FROM CLAPTONE...
“What time is it and where am I?” These are questions I find myself asking repeatedly lately. Yesterday, I flew...
DJ Mag USA speaks with Matrixxman about his debut album ‘Homesick’...
On a brisk spring San Franciscan afternoon, clouds move lazily across the sky with sunshine piercing through as notable techno talent Matrixxman, real name Charles...
HudMo turns up the spotlight on his solo album, ‘Lantern’...
Hudson Mohawke is biting his tongue. Not literally, although it’d be difficult to tell via the phone through which he’s speaking as he runs errands...
We talk to DAM FUNK about musical evolution, how music can offer escape, and Los Angeles' distinctive sound...
Amen, hallelujah and you’re absolutely goddamned right: Damon G. Riddick AKA DAM FUNK is spot on in both his diagnosis and proposed curative to...
It’s taken three years, countless gigs, umpteen rewrites, a clutch of Beatport chart toppers, and one high profile plagiarism case, but finally — finally —...
“It’s not the same album it was three years ago!” Mat Zo laughs, Skyping from his current base in the LA suburbs. “I’ve done a...
MCs were often maligned in the early days of drum & bass, but nowadays it's pretty much universally accepted that a renegade mic-spitter is a...
“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.
Saul talks about his new album, collaborations and a hatred of pirates.
Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.
Features
Some of the most important DJs in the development of the UK scene are children of the Windrush generation. DJ Mag's editor-in-chief, Carl Loben, speaks to Black and mixed-race foundation DJs about their parents, racism, culture, and being pioneers in our beloved scene
For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...
By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...
Features
Brandon Weems and Craig Handfield, together known as musclecars, are core members of a group of Brooklyn DJs and producers who have been keeping things soulful in New York’s clubbing universe. But with the release of their debut album, ‘Sugar Honey Iced Tea!’, the duo goes further, placing their work as part of the full lineage of Black music and experience