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"I'm a typical working DJ, playing commercial nightclubs, but I have a passion for underground music so the rest of my time is spent in...

Otik is the latest in a long line of DJs and producers from Bristol to earn a reputation for their bass manipulations. Having recently relocated...

POTÉ
Poté has already been on quite the journey, both literally and musically. Until the age of 12 he lived by the beach in St...

Dexta joins our Fresh Kicks series with a signature blend of highly eclectic bass music.

Head honcho of Diffrent Music — y'know, the one with...

Skrillex played a surprise set at the Do Lab stage at Coachella this year, and now fan shot footage of the whole show has appeared...

What with another Outlook done and dusted (literally... we’re really dusty), our ears are still ringing from all those low frequencies, ragga MC bars and...

Internet streaming services are changing the way dance music is enjoyed by legions of dance music fans across the globe, offering a wealth of shows...

When it comes to club mixers, there are only a handful of names that make it on the selection list for those who are serious...

It's been a dramatic rise for Birmingham house music lover, Arun Verone. Having started making various forms of UKG over a decade ago, it was...

From life as a blog to grime's edgiest label, Butterz took a look back over three years of tearing up the rule book at Cable last month...

Every now and then, a plug-in just slips under the radar. Released last year, Sugar Bytes' Cyclop came recommended by the likes of Skrillex and Boys Noize, to name just a couple of heavyweight users. But those endorsements were likely to deter as many producers as they attracted (and with the same level of conviction), so perhaps it's understandably taken a while for producers in other genres to catch on.

Somewhat of an unsung hero in house and techno circles, Ian Pooley has been producing and releasing tracks for over 20 years. The German DJ/producer, born Ian Pinnekamp and hailing from Mainz near Frankfurt, differs from many of his fellow contemporary countrymen, however, by leaning more towards the house music side of the 4/4 spectrum.

To the uninitiated, Groove Armada's return to making underground house music might appear something of a change in direction. It is, of course, nothing of the sort. Andy Cato and Tom Findlay have found themselves, thanks to a solid decade of commercial success, stuffed clumsily into all manner of pigeon holes; from dance-pop to pop-dance to chill-out to stadium-dance to ragga-dance and any number of other sub genres you might care to mention.

The first thing you to notice when you lift M-Audio’s CX8 Studiophile Active Studio Monitors out of the box is how gorgeous they look —...