Since the beginning of 2017, every weekend, the metal walkways and staircases of Printworks, the 5,000-capacity venue in London’s Surrey Keys, have vibrated to sounds...
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Features
Our end-of-year list compiling 2018's biggest albums...
As both producers and audiences have opened up more and more cross-pollination between sounds in recent years, the possibilities for the album format have become...
Critically acclaimed and wholly unstoppable, musical genius BT doesn’t break boundaries. For him, they don’t exist.
Everyone told BT it was impossible. Record labels and agents, promoters and peers said his vision for ‘Electronic Opus’, a unique mixture of live electronic...
The past, present & future of the most important festival in the Balkans...
Exit isn't a festival, it's a movement. Held each year in a gargantuan fortress that sits atop Serbia’s second capital of Novi Sad, Exit is...
Our European choices...
NUIT SONORES
French Touch
So good, Floating Points named a tune after it — it's easy to see why. Nuit Sonores sprawls over five days...
DJ Mag delves into the history of dance culture’s Woodstock...
In 1992 there was a festival in the UK that changed the course of dance music history. A culmination of the acid house explosion, it...
Features
COVID-19 has rapidly impacted the music industry — leaving thousands out of work. The government dumbfounded many when it was suggested that those from an...
Features
The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...
Features
With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music
Features
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
Features
Photographer Stuart Linden Rhodes, known mononymously Linden, spent the ‘90s capturing the queer clubbing scene in the north of England on his camera. Now his...
Features
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...
“I miss doing house stuff,” says Inês Borges Coutinho, laughing, a little frustrated. She’s not talking about music – thankfully, there’s lots of that. She...
The year's essential comp cuts!
It's impossible to ignore the way the web has changed the modes and mediums of music. MP3s at the click of a mouse and free...
News
Tributes have been paid across the world of dance music for the pioneering New York producer
Tech
Pioneer DJ’s new CloudDirectPlay ushers in a new era for DJing
Features
“There are no rules,’ says Brighton genre manipulator Etch as he tells DJ Mag about his debut album, 'Ups & Downs' on Sneaker Social Club...
There are plenty of artists who proclaim the influence of hardcore, but there are very few whose birth was possibly induced by it. “She used...