It’s Sunday afternoon, 16th March 2008, and the dancefloor of Turnmills is packed with dancers in varying states of undress. Watching over them, grinning maniacally...
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Let’s face it, holiday events can be a bit, blah – whether it’s a boring round at a minimally-decorated office with your co-worker’s cringe-worthy drunkenness...
Is wealth and privilege damaging British dance music, and if so, what should we do about it?
WORDS: Matt AnnissPICS: Nicola Nodland & Jillian Edelstein
Since acid house swept the UK 30 years ago and united a generation, British dance has proudly proclaimed its egalitarian credentials. Many believe that the loved up, misty-eyed utopianism...
Dance Mania transformed Chicago house from its '80s roots to a rough, raw, x-rated version that banged harder than anyone else. Now, after 13 years...
If Live Nation, SFX and Beatport owner Robert Sillerman is hoping to monopolize the world of EDM, then he may just be copying Daft Punk...
The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Spanish DJ, producer and ARTCORE label founder Indira Paganotto’s irresistible hybrid of techno and psytrance has made her a huge star on festival stages and in superclubs, but her rise to the top has been beset with challenges. Niamh O’Connor speaks with her about sticking to her principles, her love of psytrance, the importance of the underground, and the balancing influence of family
After nearly five decades in music, nobody could blame François Kevorkian for taking it easy. But that’s not in the France-born, NYC-based polymath’s DNA. Shortly after celebrating his 70th birthday, Bruce Tantum hears his story, and learns about the curiosity and drive that keeps him going
His anthemic tracks for Innervisions, Life and Death and his own BOSO label dominated club sets in 2014, and even made the UK Top 10...
“I'm a straight guy,” says Ten Walls, aka Lithuanian producer Marijus Adomaitis, also known as Mario Basanov, as he fixes his gaze directly across the...
Believe it or not, summer is coming. Here are the best portable Bluetooth speakers to bring the party inside and out
With a punk attitude, impressive live shows, and an ever-shifting psychedelic yet dancefloor-friendly sound, Red Axes have brought a breath of fresh air to the...
"When the sun is shining, life can be really dark,” says Dori Sadovnik, one half of Israeli gothic dance duo Red Axes. He’s talking about the...
Jungle Brothers 'I'll House You' – produced by Todd Terry (Idlers, 1988) The JBs essentially added a rap to Todd's early house classic 'Can You...
Todd Terry started DJing around his home city of New York in the mid-'80s. “When I started — around '84, '85 — I was just...
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in
Running the musical gamut from minimal techno to abstract hip-hop, dubstep to Baile funk, via ska, electro pop, house and Balearica, Sonar truly has something...
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Can Matt Edwards, aka Radio Slave, really do no wrong? Not content with simply knocking out the funkiest techno and most mind-twisting house with...
TOKiMONSTA is the rare kind of artist who transcends genre — a producer who has worked with everyone from Flying Lotus to Skrillex and Anderson...
Amsterdam Dance Event returned for its annual industry takeover earlier this month, showcasing more than 1,000 events at over 200 venues. With ADE back in full force post-pandemic, DJ Mag's Amy Fielding, Ben Hindle, Carl Loben, Ria Hylton and Rob Mccallum head out to the Dutch capital to sample the plethora of panels, parties and workshops on offer