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Results for: pride 2021

A year-and-a-half after his near-death accident, Paul van Dyk returns to trance stronger than ever, with a new album, new live show, and new perspective afforded to those who have grazed the...

This isn’t your average comeback story. And Paul van Dyk isn’t your average comeback kid. The Grammy-winning German DJ/producer is a legend in his own right, hailed as...

Billy Nasty shot by Carl Loben

A stalwart of the UK’s dance music community for over 30 years, DJ Billy Nasty was a pioneer of '90s progressive house before launching his techno and electro labels, Tortured and Electrix. A true vinyl devotee, he now runs the Vinyl Curtain record shop in Brighton. Harold Heath meets him in his home town to talk mix CDs, underground dance music history, running labels and the enduring importance of vinyl DJing

It’s fitting that DJ Mag meets acid house original, world-class DJ, UK techno trailblazer, mix-CD pioneer and vinyl-devotee Billy Nasty in his record shop The...

Exploring the rich raving history of East Anglia

The dance music history of East Anglia is rich, multi-layered and messy  — and little documented. Matt Anniss chats to some of the scene’s longstanding figureheads about the region’s airfield parties, seaside throwdowns and forgotten clubs, discovering a vital but rarely discussed stage in the UK’s rave evolution

It’s just gone midnight and the dancefloor at Mossy’s, a two-floor nightclub above the Harbour Inn in Lowestoft, is heaving with life. Andrew ‘Richie’ Riches...

Mall Grab with Golden Retreivers

On his debut album, 'What I Breathe', Aussie-born, London-based DJ and producer Mall Grab marks a new creative chapter in his journey, far from the lo-fi house sound that shot him into the spotlight in 2015. Filled with grime and jungle influences, tracks featuring Novelist, D Double E, Nia Archives and Turnstile's Brendan Yates, as well as his own vocals, it's his most ambitious work to date. Here, Kristan Caryl chats to him about ADHD, being an outsider, dogs, style, hardcore and more

In 2017, Jordon Alexander very quickly went from little-known hopeful to top-tier house star. “When I got all that clout it does fuck up how...

Known as the “queen of the Palestinian techno scene”, Sama' Abdulhadi was becoming internationally recognised as a powerful force in dance music until a gig...

When Sama' Abdulhadi was 13, the Israel Defense Forces came to her apartment block in Ramallah, the occupied West Bank, and took over the building...

The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...

Deep in the vaults of the San Francisco GLBT Historical Society and Museum Archives, a modest wooden crate glows with the importance of a sacred...

We asked big room house producer Lee Mortimer the reasons why he fell in love with music production software, Reason...

Lee Mortimer is one of the hottest producers around at the moment, mixing up tracks for various labels including A-Trak’s Fool’s Gold label, CR2 and...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Is wealth and privilege damaging British dance music, and if so, what should we do about it?

WORDS: Matt AnnissPICS: Nicola Nodland & Jillian Edelstein

Since acid house swept the UK 30 years ago and united a generation, British dance has proudly proclaimed its egalitarian credentials. Many believe that the loved up, misty-eyed utopianism...

With music venues shuttered across the nation, and no timeframe for reopening, the future looks bleak for UK clubbing. DJ Mag speaks to venue owners...

Being in close proximity with people you don’t live with is a dangerous activity. Being in a confined space is a dangerous activity. Dancing close...

Streaming has come to dominate the music industry, but when it comes to actually earning money from plays, the electronic music community has been somewhat...

Streaming is everywhere. Earlier this year, Spotify announced that it has 217 million users, more than 100 million of which are paid subscribers. They’re followed...

Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...

Fifteen might be the anniversary that it is currently celebrating, but the most important number in Hyperdub land is zero. Stylised as Ø but pronounced...

2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...

Dancefloor trends come and go. Familiar genre tropes, motifs and tempos reinstate themselves as dominant themes in clubs and festivals big and small, while inventive...

We meet futurist techno maestro Richie Hawtin for our ADE issue...

Electronic music’s explosion owes a great deal to futurist techno maestro Richie Hawtin. Not only has he made and played some of the most forward-thinking...

We talk to three DJs who have subsequently become mental health & wellbeing practitioners in their own individual ways

MATT CANTORMatt Cantor formed The Freestyler with Aston Harvey in the mid-‘90s, and soon had a Top 40 hit with ‘B-Boy Stance’ featuring the late...