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Boomtown bar staff report poor treatment, discrimination and neglect at 2022 festival

Workers subcontracted through Freemans Event Partners say the were threatened, neglected, overworked and suffered invasions of privacy at the Winchester festival earlier this month

This story was updated on 25th August 2022 to include statements from Boomtown concerning Freemans Event Partners and its share sales to Live Nation, SJM...

UK drill videos have played a crucial role in the sound's meteoric rise, with platforms like Mixtape Madness, Link Up TV, SBTV, and Pressplay Media...

A camera’s view taken from a drone rises above an London cityscape, revealing countless rows of suburban houses and greenery. Below, a ballied-up teenager starts...

Having started in Leeds in 2008, Decksaver products have now become the industry standard for DJs, producers, studios, and venues to protect their kit. DJ Mag Tech caught...

Decksaver makes protective covers for a vast range of musical equipment. They are a company that doesn’t court the glamourous side of the dance music...

 

A decade in the making, Tom Middleton’s new LP as GCOM, ’E2-XO’, on !K7 boasts themes of space exploration, alien communication and utopian “super-habitable”...

“I’ve always been a star gazer, a total sci-fi nerd — always interested in what’s up there,” says Tom Middleton, reflecting on the galactic inspiration...

Timmy Trumpet: brass tacks

An accomplished jazz musician, Timmy Trumpet made the switch to electronic music some years ago and has quickly become one of the world’s biggest DJs, famed for his ecstatic energy, collaborative mindset and improvised trumpeting on stage. DJ Mag speaks to Timmy — and his wife Anett — about his journey so far

“My friends and I used to make fun of dance music when I first got into it,” laughs Timothy Jade Smith, rather sheepishly. At that...

Audio-visual artists have always played a vital role in shaping the distinctive aesthetic identity of electronic music. In the evolution of analogue slide projectors to...

@smithandlyallAdam Smith & Marcus Lyall are the London based creative duo behind The Chemical Brothers’ live shows and music videos, combining digital methods with real-life...

We meet the Leeds man in London to talk about hardcore history, subliminal messages and breaking free of genre constrictions — and much more...

Reinvention is a tough gig. But if you get it right, a whole new life is possible. No one in dance music's managed this more...

In the UK grime scene, the spotlight has usually shone on MCs. Instrumentals have long remained a niche point of interest, a topic for more...

Who are the producers shaping the sounds of UK rap and grime right now? 2019 seems as good a time as any to be considering...

Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...

In late 2015, the animated TV series South Park aired an episode called ‘Safe Space’. The phrase had been used in activist communities since the...

We meet futurist techno maestro Richie Hawtin for our ADE issue...

Electronic music’s explosion owes a great deal to futurist techno maestro Richie Hawtin. Not only has he made and played some of the most forward-thinking...

Massive Mason Competition

Any collaboration between DJMag's favourite fruit-loop Roisin Murphy, ex of Moloko, and electro dons Mason, aka Iason Chronis and Coen Berrier, was always...

We meet the Italian techno don face-to-face in Barcelona...

Joseph Capriati is the rapidly-rising Italian techno star who's broadened his sound out for Ibiza to inject more groove into it. Leaving behind the Music...

Manufacturing delays and rising costs are straining small, independent vinyl labels. Paired with environmental concerns and a reassessment of what physical releases can entail, the...

The word “shitshow” comes up a lot when you talk to independent label owners about producing vinyl. Emily Moxon, managing director at Brownswood, says that...

The Euphoria cover logo in green neon on a black background with green lasers

With the release of its first edition – 'For The Mind, Body and Soul' – via Telstar Records in early 1999, the ‘Euphoria’ mix compilation series quickly became one of the most popular and prolific of its kind, launching the big-room oriented trance, progressive and hard house sounds of clubland into the CD drives of thousands. 25 years later, Harold Heath looks back on its legacy, and on how its balance of clever commercial marketing and authentic live energy enshrined ‘Euphoria’ in UK dance music history

It’s 1999, and across the UK, countless car stereos and home systems are pumping out the planet-sized synth riffs of big-room trance. Tracks by Paul...

  From DIY imprints putting out 160bpm club bangers, forward-thinking electro cuts, twisted acid and rave sounds, through to big room techno's brightest stars launching...

Possibly the most-hyped label to have not released any music ever, Hoover Sound is the brainchild of Best Of British Breakthrough DJ winner SHERELLE and...