Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...
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As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
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The ever-rising DJ and producer takes us on a tour of his beloved hometown...
It’s an unseasonably hot day in London when DJ Mag sets off to meet Theo Kottis. A Scottish producer with a story to tell, Kottis...
The original electro sound has been seeping back onto dancefloors, whether in the sets of DJs like Helena Hauff and Nina Kraviz or mix-comps by...
Electro inspires a fervid following. The genre is a bubbling underground scene populated by dedicated labels, DJs and diverse producers, scattered across the world, and...
Steve Aoki is the EDM superstar that fans adore and haters love to hate.
He’s built a musical empire on DiY ethics, hard work, punk rock drive and lots and lots of cakes. As he prepares to headline the...
With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...
Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.
The main room sound of Porter Robinson
Only 20-years-old and already a dance music star, with Top 10 chart hits in the UK, a residency in Las Vegas and US wide tours under his belt, Porter Robinson is the new face of the hugely popular big room electro house sound. But as it turns out, he spurns fame, cringes at the acronym EDM, and draws inspiration from musique concrete to Daft Punk. DJ Mag has a pint with him in a grimy North London boozer to learn more...
We interview Nadastrom & Sabo ahead of hitting the road, plus free Scion AV EP!
We went, we saw, we determined. The verdict: moombahton. It's all over the place and the people love it. So much so that we no...
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California's rave history is rooted in outdoor free parties that celebrated psychedelic music and and unique environments. DJ Mag's Matt Anniss speaks to the Bay...
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From DIY imprints putting out 160bpm club bangers, forward-thinking electro cuts, twisted acid and rave sounds, through to big room techno's brightest stars launching...
In the star wars of techno, Seth Troxler has proven himself the master more than once.
Last time DJ Mag caught up with Seth Troxler in an official capacity, it was around the pool at our 2010 party in Miami. Then...
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Amsterdam Dance Event returned earlier this month, with the world’s biggest electronic music conference delivering its usual, unrelenting whirlwind of parties, panels and so much more. Here’s a handful of highlights from DJ Mag’s week at ADE 2023
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After intensive, early lockdowns, China's events industry is gradually returning to pre-pandemic levels, with safety measures in place. Bruce Tantum speaks to a selection of DJs...
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As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...
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Electronic maverick Squarepusher’s new album finds him breaking his own rules, and drawing from the past for inspiration — but being him, it’s no simple nostalgia exercise. DJ...
It's not just the Football that's putting Brazil in the spotlight...
“Brazil is having a bit of a moment,” says Flow, the female half of the Rio-based girlfriend-and-boyfriend house DJ/production duo Flow & Zeo.
“Something exciting...