Most vinyl consumers probably never think about the path that their favourite new record has travelled. They scan the wall of their local shop or...
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Results for: Dark Side
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The Covid-19 crisis has thrown up many problems for the manufacturing and distribution of vinyl. Bruce Tantum speaks to a selection of record shops, labels...
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Brooklyn’s Sobolik records a whirlwind mix of leftfield techno, breaks and bass for the Fresh Kicks series, and chats to Eoin Murray about participating in Martyn’s mentoring programme, building IRL and online music communities and more
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
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NYC house stalwart Angel Moraes passed away suddenly this week, leaving behind a legacy as a dedicated DJ, producer and club founder. Here, UK artist...
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For 20 years, Simon Dunmore's Defected has been dedicated to the finest in house music, from its label and numerous associated imprints, to its events...
“I’m a collector of labels. My ambition was for people to have a Defected rack in their collections in the same way they'd have a...
DJ Mag chats with international superstar Fei-Fei, who proves that dreams can come true...
As police sirens ring in the distance and a pink sunset spreading its vapors over the Los Angeles skyline, Fei-Fei embodies urban royalty and creativity...
Dubstep original will never turn his back on the sound that made him
As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.
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The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
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In response to big room club culture, a number of grass roots promoters, venue managers, artists, and opportunists are seeing success from putting on free...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
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Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...
Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...
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Nine essential documentaries, focused on the classic '80s and '90s hip-hop that laid the foundation for rappers to build a world-conquering movement
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DJ Shadow's debut album, 'Endtroducing.....', released via UK label Mo'Wax Records in 1996, presented abstract, instrumental hip hop as a worthy deviation from the...