The quest is timeless. Swapping clues with randoms at services. The heartless pulse of the party-line’s engaged tone. The convoys, intrigue, suspense, rumours. The commitment...
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Gomma Records’ boss Munk has hooked up with some of the world’s hottest underground female vocalists for his new production album. DJmag finds out more...
“I like my jeans to be dirty and I like my music to be dirty too,” says Munk, aka Mathais Modica, co-owner of experimental dance...
From disco through to freestyle, Miami bass, hip-hop, tribal, tech and Latin house, Miami has always had a rich and vibrant club scene. Prior to...
"In Miami, dance music has always been about the drums, whatever style of music it is," grins DJ Oscar G, one half of Murk, co-owner...
Features
Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
Japan is producing some of the world’s most vital techno, though its roots go way back to the late 1970s. We talk to some of...
Since the end of World War II, Western culture has loomed large over everyday life in Japan. The decades since have brought about a wide...
Features
Rotterdam's IMANU crafts tracks and DJ sets that do away with genre, choosing instead to surf through styles, tempos and textures with a focus on emotional impact. Alongside a hair-raising Recognise mix, he speaks to Ben Hindle about changing up his production process, taking creative risks, and visualising his sound
Features
DJ IC demonstrates Afro house mastery for the On Cue mix series, and speaks to Tice Cin about his evolution through London’s club scene, growing up on the Aylesbury Estate, celebrating togetherness, and championing young talent
Features
A vital document of music in 2002, ‘As Heard...’s headline-grabbing mixes of well-known tracks helped sneak a handful of underground dance classics into more than...
Features
Chicago's Hieroglyphic Being records one hour of fuzzy-and-jazzy live techno for the On Cue mix series, and speaks to Lauren Martin about surviving as an...
Features
One of the most exciting new digital projects to emerge this year, Black Band Camp (blackbandcamp.info) is a volunteer-run, community-driven database for showcasing and directly...
Features
DJ Mag takes in Iceland Airwaves – in partnership with our friends at BULLDOG Gin – a long-running music festival focussing on homegrown talent...
Features
Overcoming Pakistan's conservative mindset and sometimes-dangerous political tensions, a small group of artists are building a future for electronic music in Karachi
Music
As a show of solidarity to support the artists and labels impacted through the global pandemic, we are launching a weekly roundup of the most...
“I just can’t do it, it feels instinctively wrong..."
Dave Clarke — the UK-born, Amsterdam-based techno DJ/producer most famous for his 'Red' single series — has announced he won't be playing the US while...
London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.
“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”