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DJ Mag attempts to find out just why he's so popular...

Mladen Solomun is a big chap. A big, bearded Balkan bombshell with a penchant for mashing up epic strings and sprawling synth-scapes with the odd...

Swedish DJ/producer Axel Boman's name crops up on all the best festival and club line-ups, DJ set lists and label discographies. His imaginative, freaky tunes...

Axel Boman is “trying out a new look”. He’s wearing an all black turtle-neck jumper and floppy black cricket cap, but he’s not sure it’s...

Photo of Dirty K next to the packshots of releases chosen in his Selections

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks

The hyperactive tracks on Chinese producer Dirty K’s ‘Myogi 妙義’ EP serve a dual purpose. Released via Eastern Margins – a London-based label dedicated to...

One of the world’s most respected clubs, Berlin’s Tresor, has been at the forefront of underground dance music for three decades. Led by Dimitri Hegemann...

Interfisching in outer space: the Dada yearsDimitri Hegemann wanted to change the world. His ideas were too big for the small village he grew up...

He’s spent the last seven years honing an undeniable sound. Now Tchami will unveil his first full-length album, ‘Year Zero’

The collar that Martin Joseph Léonard Bresso dons while performing on stage as Tchami is a meaningful accessory. It is symbolic of the spirituality he’s...

As healthier lifestyles have become more prevalent in the dance music industry, some have turned to the legal compound CBD for its benefits. But who uses it...

It’s Monday morning, and the painful cocktail of a weekend club life and weekday deadlines hits hard. Focus seems impossible and every platform is bleeping...

Psychedelics have become more popular in the UK in recent years, with some people using them recreationally to address mental illnesses. These drugs are illegal, but...

A young life is punctuated by firsts: your first kiss, your first taste of alcohol, moments when you feel recklessly alive. Producer and DJ Lauren...

DJ Mag visits French producer Madeon in his LA home to learn about his meticulous process, and why he’s happiest when he’s working

Standing in Madeon’s living room, it feels like his entire home is floating. The Hollywood Hills house is located at the top of a steep...

We take a look into what people are calling the 'primitive sound'

There's a fresh sound that's bubbling up from the underground to challenge dull dance and ridiculous stadium rave. Influenced equally by the early stirrings of...

Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019 

Last year, we launched the DJ Mag Alternative Top 100 DJs poll, in association with Beatport, generated by combining Top 100 DJs voting data with...

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German techno DJ/producer Helena Hauff is riding the crest of a wave right now. An analogue freak signed to Ninja Tune-affiliate label Werkdiscs — the...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Tony De Vit DJing. He's wearing an orange sweater with his left harm held high over his head, with a big smile on his face.

Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced

In case you hadn’t noticed, hard house is back. Though for some, like the ill behaviour, it never went away. A new generation of DJs...

Kerri Chandler DJing live

For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet

“Sorry, it’s a little dark in here. I usually have club lighting on down here, like with rotating heads and stuff,” Kerri Chandler says, with...

Three decades of Trade: celebrating 30 years of boundary breaking LGBTQ+ raving

The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy

It’s Sunday afternoon, 16th March 2008, and the dancefloor of Turnmills is packed with dancers in varying states of undress. Watching over them, grinning maniacally...