As countries across the Global North vaccinate their populations against Covid-19 and exit pandemic-related restrictions, the dance music industry is entering a moral and ethical...
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Few countries have been as devastated by Covid-19 as India, with recent studies estimating that the death toll has likely exceeded three million, more than...
California's rave history is rooted in outdoor free parties that celebrated psychedelic music and and unique environments. DJ Mag's Matt Anniss speaks to the Bay...
With inventive production and animated lyrics in Spanish and English giving unique takes on violence and, of course, weed, Cypress Hill's 1991 debut introduced them...
Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...
The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
DJ Mag’s Miami Music Week pool party is taking place at the Sagamore Hotel on Wednesday (20th March), in association with Epic Pool Parties, and we’ve again pulled in a top-notch line-up for the festivities. Here we catch up with every artist playing at the party: ANOTR, AQUTIE, Chloé Caillet, Joseph Capriati, Louie Vega, and Ms. Mada
A new wave of Polish electronic artists are drawing from the country’s musical past and the atmosphere of its Baltic coast to create a fresh take on Ibiza’s Balearic beat. Ben Murphy speaks to artists, promoters, DJs and labels about this unique scene's development
As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves
In the U.S. music fans are eagerly awaiting the safe return of clubs and festivals, but there are risks to consider before going back to...
For 30 years, Dave Beer has presided over Back To Basics: the Leeds club event that has grown into a global institution thanks to its...
Garrix marked the win by performing the first ever DJ set atop the Empire State Building
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders
The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced
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