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Since beatboxing first arrived on British shores from the US in the ’80s, the passion and innovation of UK acts have taken the art to unimaginable heights. Jak Hutchcraft charts the development of the scene, speaking to boundary breakers and educators, and finds it in ruder health than ever

In his new book, Lance Scott Walker tells the story of DJ Screw, the maestro of Houston’s chopped ‘n’ screwed ‘90s rap scene. Here, Marke Bieschke speaks to the author about this unique moment in hip-hop history, and Screw's incredible legacy

On his debut album, 'What I Breathe', Aussie-born, London-based DJ and producer Mall Grab marks a new creative chapter in his journey, far from the lo-fi house sound that shot him into the spotlight in 2015. Filled with grime and jungle influences, tracks featuring Novelist, D Double E, Nia Archives and Turnstile's Brendan Yates, as well as his own vocals, it's his most ambitious work to date. Here, Kristan Caryl chats to him about ADHD, being an outsider, dogs, style, hardcore and more

Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future