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Results for: Atonal Festival

In association with Miller Genuine Draft

In the second of our spotlight features on last year’s Miller SoundClash finalists, we land in Zimbabwe to catch up with charasmatic finalist RayDizz to...

The UK garage pioneer had his biggest year yet in 2016...

OTHER NOMINEES

DANIEL AVERY
DJ HARVEY
MAYA JANE COLES
SASHA

From his past on pirate radio to the arenas he's filling today, DJ EZ has...

The SUNANDBASS don goes in...

FD celebrates his debut solo EP for SUNANDBASS Recordings with a blend of bewitching liquid and tough, rolling drum & bass for our DJ Mag...

UK Music's annual report says around 69,000 people lost work amid the COVID-19 pandemic

More than a third of UK music industry workers lost their jobs last year, amid the COVID-19 pandemic forcing the shutdown of clubs and music...

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Spotify2024

The Swedish streaming giant has revealed gross profits exceeding €1bn (£860m)

Spotify has reported record-breaking gross profits exceeding €1bn (£860m) following a year defined by cost-cutting measures and staff reductions. The Swedish streaming giant, which recently...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Helping to empower Unicef’s plight against children in danger...

Charity fund-raising from our annual Top 100 DJs poll has now raised £69,289 for Unicef. With this money, Unicef has been able to provide enough...

Stockholm's purveyor of dexterous experimental club sonics, Sissel Wincent, delivers an exhilarating mix of abstract atmosphere and ferocious rave sounds as part of our Fresh...

Industrial, experimental and unpredictable are just some of the words you could use to describe Swedish artist Sissel Wincent’s productions. Blending  gabber, techno, trance, ambience...

UK labels are expecting to earn more from vinyl than CDs for the first time in three decades

Vinyl sales contributed £86.5 million to the UK’s recorded music revenue in 2020, a new report from the British Phonographic Industry (BPI) has revealed. 

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Music will return to TikTok as platform reaches licensing agreement with Universal

The new deal also addresses the issue of generative AI in music

Music owned by Universal Music Group will return to TikTok following a licensing agreement reached between the label and the app. UMG (Universal Music Group)...

As a way of supporting the artists and labels impacted through the coronavirus pandemic, we've launched a weekly roundup of the most vital Bandcamp releases...

The pandemic of the novel coronavirus, COVID-19, has had a devastating impact on our scene, leading to the cancellation of countless club nights and festivals...

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...

In describing one of his Selections, Berlin-based Lebanese artist and Morphine Records boss Rabih Beaini describes his DJ style as “harsh and powerful, but still...