Interfisching in outer space: the Dada yearsDimitri Hegemann wanted to change the world. His ideas were too big for the small village he grew up...
Search
Results for: BUDGET
Features
One of the world’s most respected clubs, Berlin’s Tresor, has been at the forefront of underground dance music for three decades. Led by Dimitri Hegemann...
Features
Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...
DVS1 is a true icon. He may have reached the top of the techno tree by a somewhat circuitous route — involving time spent in...
As brutal techno echoes around Amsterdam’s Warehouse Elementenstraat, DVS1 stands on the DJ booth looking perplexed, rotating the subs that line the railing high above...
The UK capital is making major strides...
Pretty much the whole of clubland was appalled when Fabric had its license revoked a few months back — after all, if Fabric could be...
He was the Electrifyin’ Mojo of the indie disco. The bootleg king. The electroclash god. But when each of those scenes imploded, Erol Alkan stepped...
Erol Alkan was 27 when he received his first album offer. Kylie Minogue had just performed his ‘Can’t Get Blue Monday Out of My Head’...
Features
From his foundational work in drum & bass and jungle as part of 4hero and Reinforced Records, to his myriad production aliases and ongoing work...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Over the years, has anything offered more sun-drenched hedonism than the Miami party season? Judging by the amount of bikini-ridden, buff-tan parties squeezed into Miami’s...
Key
SUNSHINE
PARTYING
BLING...
Cover Features
One of dance music’s most recognisable characters is growing up. We talk to Seth about the repetitive party lifestyle, being a catalyst for change, and...
No one represents drum & bass quite like DJs Fabio & Grooverider...
Sure, there are other obvious contenders, but Fab and Groove were there right at the beginning. They didn't just sit at the table — they...
Arriving in Miami means a lot to our cover star Eric Prydz – for more than one reason. The man who effortlessly makes underground house...
Going to Miami is a very big deal for Eric Prydz. Two years ago, the last time he was there, his massive track 'Pjanoo' became...
Features
Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced
Features
At the centre of Daft Punk’s world-beating debut album lay a tribute to the architects of dance music, titled ‘Teachers’. With the help of Neil...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...