Years ago, Michael Baltra was presented with a choice of instruments to study, and he decided on the violin. Given the fact that he was...
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New York’s Baltra left behind a career in the stock market to pursue his real love of music. With his debut album ‘Ted’ showing his...
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Detroit's DJ Minx has been championing the electronic sounds of her hometown since day one, but has flown under the radar for much of her...
An in-depth talk with the Hyperdub main man about his new album with Spaceape, 'Black Sun'...
With their new album ‘Black Sun’, Hyperdub’s Kode9 & the Spaceape have left tired genre pigeonholes behind, switched up their sound and conjured a bright...
Dance Mania transformed Chicago house from its '80s roots to a rough, raw, x-rated version that banged harder than anyone else. Now, after 13 years...
If Live Nation, SFX and Beatport owner Robert Sillerman is hoping to monopolize the world of EDM, then he may just be copying Daft Punk...
Denver-based Illenium is the bass music star that sells out stadiums, but before he made music, he struggled with addiction. Around the release of his...
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The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...
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Electronic maverick Squarepusher’s new album finds him breaking his own rules, and drawing from the past for inspiration — but being him, it’s no simple nostalgia exercise. DJ...
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Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
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Düsseldorf is a city steeped with a history of artists and clubs that have existed on the bleeding edge of alternative music – from Kraftwerk...
It’s 3am in the morning at a packed out Salon des Amateurs, and Vladmir Ivkovic is playing b2b with Toulouse Low Trax. The Belgrade-born DJ...
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Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival
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How can we make clubbing better for disabled people? When events return in 2021, clubs need to be more accessible for disabled guests and performers...
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A soulful house classic, Kings Of Tomorrow’s ‘Finally’ appealed across the board thanks to its universal lyric and hopeful message. Kristan J Caryl talks to vocalist Julie McKnight, co-producer Jay Sealee, Defected’s Simon Dunmore and Bushwacka about its evergreen appeal
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Inspired by the Midwest American raves that first got her hooked on dance music, Chicago’s Eris Drew wants to bring a psychedelic communal energy and...
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The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...
She's built a rock-solid unit that's celebrating a decade of electronic music brilliance this year...
It’s the 1st May. ‘May Day’ public holiday in Berlin, traditionally the time when the city transforms from the grey, oppressive bleakness of its...