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After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork

San Francisco’s Chrissy sprints from house, Hi-NRG and EBM into UKG and breakbeat hardcore in his ecstatic On Cue mix, and speaks to Marke Bieschke about reviving rave’s original mission on his Hooversound album, ‘Physical Release’

Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies

After four-plus decades of DJing and with a incredible list of releases — much of it produced with longtime partner Kenny “Dope” Gonzalez as Masters At Work — the pioneering Louie Vega would seem to have little to prove. Yet he’s working harder than ever, with the same energy he had as a young kid coming up in the Bronx. In the run-up to his date at DJ Mag’s Miami Pool Party 2024 at the Sagamore Hotel on March 20th, Vega took some time out of his hectic schedule to talk about how he got to where he is today

Last month, 16,000 ravers attended Belfast's AVA Festival at its new home on the Titanic Slipways. DJ Mag traveled to AVA to discover how the event is creating a sense of unity, community and a second wave of rave in the city

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound