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Results for: Cameo

DJ Mag heads to Ghana to explore a rapidly expanding, festival- driven scene that, while rooted on pop and traditional sounds, is beginning to open...

March is an important month in Ghana’s calendar; it’s when the West African country celebrates gaining independence from British colonial rule in 1957. The month...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

 A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

HudMo turns up the spotlight on his solo album, ‘Lantern’...

Hudson Mohawke is biting his tongue. Not literally, although it’d be difficult to tell via the phone through which he’s speaking as he runs errands...

DJ Mag takes a look at legendary cosmic jazz adventurer Sun Ra

A HUNDRED years ago a man named Herman Poole Blount was born in Birmingham, Alabama. Although he would have disputed that, for not only did...

We sit down with the Dutch Metalheadz producer...

Teije van Vliet’s alter ago, Lenzman, is having a hard time getting to the United States. The 36-year-old Dutch DJ/producer, who is releasing his debut...

Eight years in, and the house kid from Bordeaux is all grown up...

It’s hard to believe that Hugues ‘Bobmo’ Rey has been firing out leftfield dancefloor bombs for nearly a decade. Bursting onto a French scene that...

We talk to DAM FUNK about musical evolution, how music can offer escape, and Los Angeles' distinctive sound...

 

Amen, hallelujah and you’re absolutely goddamned right: Damon G. Riddick AKA DAM FUNK is spot on in both his diagnosis and proposed curative to...

Mixed up in The Hague

It's impossible to overstate The Hague's impact on dance music. In the early '90s, this small city in northern Holland crafted a bastardised version of the sounds bubbling out of Detroit, a ravey mash of jacking house and techno that, at the time, sounded almost impossibly futuristic.

Saul talks about his new album, collaborations and a hatred of pirates.

Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.