A street lamp flickers on an industrial estate. Two men exchange fist bumps outside a garage door. Inside, an impressive film studio is being prepped...
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Holding court with one of the UK’s most innovative electronic duos...
“Everything around you is so cluttered. If you go online and look at social media, it’s this big bombardment of stuff. I really wanted to...
Digital Holdings is the Bermondsey studios that's had artists including Headie One, Harlem Spartans, Zone 2, Carns Hill and SL all record music within its...
Manchester's Happy Mondays drew influence from funk, house, and psychedelia to pioneer the Madchester sound. Here, Ben Cardew explores the lasting legacy of their 1990 album, ‘Pills ’N’ Thrills And Bellyaches’, which dropped in the midst of the Baggy takeover, and defined an era
Recognise is DJ Mag’s new monthly mix series, introducing artists we love that are bursting onto the global electronic music scene. This month, we speak...
Bold and ferocious, but possessing infinitely eerie depths, both the DJ sets and productions of Manchester staple, Djinn, have become essential listening in the brooding...
Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...
The past 12 months have seen Miguel Campbell’s stock shoot through the roof.
A well-received Radio 1 Essential Mix, 2011’s best-selling track on Beatport and a globe-spanning schedule of non-stop bookings, not to mention a coveted DJ Mag Best Of British award — it’s easy to see why Miguel Campbell is beaming.
On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
It’s 2006 in Northern Ireland, and Belfast-born DJ Jordan is performing to 10,000 people on stage at the now-defunct Planet Love Festival, which is being...
The dance world does the full-length once again this year...
Could 2015 be officially declared the year of the debut LP? The Revenge, Romare, Hunee, Nocturnal Sunshine are just a few acts who've taken the...
TYGAPAW makes music with a message of liberation, and of working toward a world where everyone is free to be true to themselves. It also happens to be music that slams. Bruce Tantum meets the Brooklyn-based artist to learn about their long journey to get to where they are now, and the road ahead
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Having risen as a prominent member of seminal Peckham drill collective, Zone 2, Kwengface is now a certified veteran of the scene. Pairing his sharp...
“There is now a very real risk that we will have to stop broadcasting,” the programme has shared
Abandoning another project file after a few hours, thinking everything sounds s**t, feeling like you should be finishing more tunes. A lot of counterproductive, negative...
In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
Opening this spring, the Beyond The Bassline exhibition will explore the people, spaces and genres that have defined the landscape of Black British music