Los Angeles’ ESP Institute has delivered over 120 releases since its inception 14 years ago – an impressive feat for a label that remains fiercely...
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Features
Is wealth and privilege damaging British dance music, and if so, what should we do about it?
WORDS: Matt AnnissPICS: Nicola Nodland & Jillian Edelstein
Since acid house swept the UK 30 years ago and united a generation, British dance has proudly proclaimed its egalitarian credentials. Many believe that the loved up, misty-eyed utopianism...
No one represents drum & bass quite like DJs Fabio & Grooverider...
Sure, there are other obvious contenders, but Fab and Groove were there right at the beginning. They didn't just sit at the table — they...
Features
Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
Features
With his Shaytoon Records label, Sepehr has built a platform for underground techno and electronic music from the Iranian diaspora. But the versatile New York-based producer and DJ fights oversimplified categorisations and pigeonholing at every turn, extracting influence from obscure ‘90s rave records as much as Persian mythology. Alongside a 90-minute On Cue mix demonstrating this sound, he tells Marke Bieschke about his Flower Storm project with Kasra V, the influence of Silent Servant, and his grunge-influenced new band
Features
Houghton Festival returned for the first time in four years earlier this month after surviving against the odds. DJ Mag’s Rob McCallum steps into curator Craig Richards’ musical world to rediscover a meticulously programmed audio/visual masterpiece
Features
Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork
Tech
The mini AIRA emulates some iconic Roland drum machines in a small package. But is it a worthy addition to a working studio, or a good first venture into outboard gear? DJ Mag's digital tech editor Declan McGlynn finds out
Features
With a career spanning 30 years, more than 400 tracks to his name and a history hosting the biggest stages, DRS recently embarked on a new, ground-breaking chapter with his headline live show tour: The Man Who Fell To Earth. Jake Hirst hears the story behind a project representing something much greater than music for DRS
Features
Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test
Features
San Francisco’s Chrissy sprints from house, Hi-NRG and EBM into UKG and breakbeat hardcore in his ecstatic On Cue mix, and speaks to Marke Bieschke about reviving rave’s original mission on his Hooversound album, ‘Physical Release’
Features
Lukas Wigflex and the team behind his eponymous party brand have offered the people of Nottingham countless opportunities to let loose over the past decade...
Features
Whether he’s making garage, bassline, tech-house or grime, DJ and producer Preditah’s sound is unmistakable. With his new tunes ‘Glucose’ and ‘Don’t Cry’ making waves...
Features
Nova made history last year when she became the first grime artist to win Scottish Album of the Year. An MC who wears her heart...
Features
Twenty years after it first lit up dancefloors around the world, Rui Da Silva and Cassandra Fox's No. 1 hit ‘Touch Me’ is transcending generations...
Features
Bristol-born Banoffee Pies Records is best known for its sonic diversity, V/A compilations and plethora of series and sub-labels. But as its founder Ell Weston...