Skip to main content

Search


Results for: DECISIONS

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...

The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...

Ever since the birth of acid house in the late ‘80s, UK dance music has been defined, legislated against and demonised on the basis of...

Neurodiversity in dance music lead feature image

Neurodiversity refers to a wide range of neurological conditions including ADHD, autism, dyslexia and Tourette syndrome. After being diagnosed with ADHD and suspected autism earlier this year, DJ Mag writer Harold Heath began to wonder: is there a particularly high number of neurodivergent people in the scene? Here, he embarks on a personal journey to try and understand the relationship between neurodiversity and dance music, and its wider relevance within the scene

I’m Harold Heath: music writer, former small-time DJ/producer, and life-long club culture fanatic. Earlier this year I was diagnosed with ADHD and suspected autism. Why...

Jamie Jones

After eight seasons at DC-10 in Ibiza and two lost to the pandemic, Jamie Jones makes his grand return to Ibiza this summer, and is moving his flagship party, Paradise, to Amnesia Ibiza. For his DJ Mag cover feature, Anna Wall speaks to the Hot Creations boss about coming up in the East London after-hours scene, mentorship, and becoming a dad

It was a humid summer night in June on the white isle back in 2005. Jamie Jones had just returned from Barcelona’s annual Sonar festival...

With mental health and wellbeing one of the principal keynote topics at the International Music Summit (IMS) in Ibiza at the end of this month...

Flying high in the music industry can seem idyllic, but is there a price to pay? Coupled with the perceived glamour is a 24/7 lifestyle...

A shot from AUDRA festival in Kaunas featuring Caterina Barbieri's synth performance in a tower-like hall

From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders

Pergalė is a sprawling industrial complex in a forgotten corner of central Kaunas, Lithuania’s modest-sized second city. A gated entrance obscures interior yards from view...

Sexual harassment is a widespread problem that remains prevalent in our supposedly progressive dance music scene. A number of new initiatives have proposed a solution...

In the year since the #MeToo movement, those who were previously unaware have, at last, been waking up to the horrifying pervasiveness of sexual harassment...

We meet futurist techno maestro Richie Hawtin for our ADE issue...

Electronic music’s explosion owes a great deal to futurist techno maestro Richie Hawtin. Not only has he made and played some of the most forward-thinking...

Arriving in Miami means a lot to our cover star Eric Prydz – for more than one reason. The man who effortlessly makes underground house...

Going to Miami is a very big deal for Eric Prydz. Two years ago, the last time he was there, his massive track 'Pjanoo' became...

Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of...

In the early hours of Sunday 1st December 2019, militarised police broke up a Brazilian funk street party called Baile da DZ7 in the São...

Jamz Supernova is spearheading the next generation of radio DJs with her residencies on BBC Radio 1Xtra and Selector Radio. While equally at home behind...

It’s an uncomfortable fact of the situation that some people have had a good pandemic. The rhythm of our daily lives has been disturbed, maybe...

Indira Paganotto in a red, white and black jacket

Spanish DJ, producer and ARTCORE label founder Indira Paganotto’s irresistible hybrid of techno and psytrance has made her a huge star on festival stages and in superclubs, but her rise to the top has been beset with challenges. Niamh O’Connor speaks with her about sticking to her principles, her love of psytrance, the importance of the underground, and the balancing influence of family

Few artists have fused the worlds of bright psytrance and booming techno as smoothly as Indira Paganotto. The Spanish producer, DJ and founder of the...

TSHA surrounded by flowers, shot by Nicole Ngai

London-based DJ, producer and live artist TSHA has risen rapidly in the scene, and is receiving her flowers with grace. But it hasn't always been easy.  As she prepares to release her stunning debut LP, 'Capricorn Sun', on Ninja Tune, she speaks to Amy Fielding about overcoming online trolls, astrology, the art of DJing and more

Across one bitterly cold weekend in February 2017, Ninja Tune’s revered live act Simon Green, AKA Bonobo, descended on South London for two sold-out performances...

A press shot of Flume in a striped jumper, holding a bunch of white flowers against an orange backdrop

Caught between the demands of being an internationally-renowned performer and his desire for a quiet life, Australian producer Flume found balance upon returning to his homeland. Amongst nature, and with a restored sense of wellbeing, he completed his most ambitious album to date, 'Palaces'. Megan Venzin learns its story

Flume fills arenas, smashes stage props with sledgehammers, and builds booming soundscapes with the high-tech gear that fills his ever-expanding studio. Harley Edward Streten, on...