One day in 1979, a young Renee Scroggins imagined what it would be like if a UFO landed in the housing projects of the South...
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When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story
In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings
After the 2014 release of ‘1021,’ London-born, Toronto-raised, and LA-based artist Rochelle Jordan went through years of business and health-related difficulties, finally coming out the other end with last year’s emotion-drenched ‘Play With The Changes.’ A new remix album, featuring brilliant work from DJ Minx, Byron The Aquarius, Machinedrum and other notable acts, lifts Jordan’s theme of rejuvenation into a thrilling new phase
An iconic 1970s soundsystem lives on inside a Coney Island attraction. Vivian Host catches up with sound engineer Dan Prosseda about the magical speaker stacks of the Eldorado Auto Skooter bumper cars
Although it features guests like A$AP Rocky, Run The Jewels and Raekwon, the best moments on Danger Mouse and The Roots legend Black Thought's new LP are in its filmic rhymes, woozy psychedelic loops, soul snippets and jazz and blues rhythms. Here, Ben Murphy speaks to them about their long-awaited collaboration
DJ Mag heads to Belfast to take a tour around the hometown of rising DJ/producer Richie Blacker, whose music has appeared on labels like Skream's Of Unsound Mind and Anjunadeep
Ibiza played a central role in spreading a new take on trance around the turn of the millennium — a more soothing vein of the sound that captures the mood of a Mediterranean sunset. As clubs in Ibiza are opening again for the first time since 2019 due to the Covid-19 pandemic, DJ Mag dives into the roots of a genre that was inspired and shaped by the island’s unique appeal: Balearic trance
DJ Mag spends some time with the Brazilian DJ sensation while he’s over in London for a show at Ministry Of Sound, and learns about his journey from hardships to huge success — and how being in a plane crash changed his perspective on life for the better
When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story
London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live
Three decades and nearly 200 records into his career, jungle maverick Paradox is still breaking new ground, and earning new fans in the process. Ben Hindle speaks to him about using an old Amiga computer for his productions, keeping the funk in his breakbeat samples, and his dedication to performing live
Putting on parties demands optimism even at the best of times. After an unimaginable 20 months, the limits of hope continue to be tested. Will...
With inventive production and animated lyrics in Spanish and English giving unique takes on violence and, of course, weed, Cypress Hill's 1991 debut introduced them...
Teenage bass music producer and DJ Moore Kismet hopes to flip the script on their scene, and showcase how power stems from breaking the mould...
Conversations around automation and DJing are tried-and-tested comment triggers — the ubiquity of the tedious ‘press play’ criticisms and ‘sync button’ debate attest to that. But...