In the 1990s, Manumission was the wildest party in Ibiza. First held at Coco Loco Bar, the gay epicentre of KU club — which later...
Search
Results for: DJ Earl
Features
In the '90s, there was nowhere to party like Ibiza , and there was nowhere wilder in Ibiza than Manumission. The hedonistic, sex-fueled party took place in some of The White Isle's most famous clubs, as well as its own Motel venue, with punters and DJs alike frequently spending days on end revelling in its debauched atmosphere. A new book written by its co-founder Claire Davies captures Manumission's ecstatic spirit. Here, Simon Doherty speaks to her about some of her favourite images from that time
Features
Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound
Features
Photographer Stuart Linden Rhodes, known mononymously Linden, spent the ‘90s capturing the queer clubbing scene in the north of England on his camera. Now his...
Features
As the UK looks toward the end of lockdown and the reopening of clubs and festivals, Giulia Bottaro speaks to nightlife workers from different parts...
Features
Tattooist-turned-rapper TRAPY speaks to Amy Fielding about his favourite Marvel characters, obscure samples, and his reason for anonymity
He was the Electrifyin’ Mojo of the indie disco. The bootleg king. The electroclash god. But when each of those scenes imploded, Erol Alkan stepped...
Erol Alkan was 27 when he received his first album offer. Kylie Minogue had just performed his ‘Can’t Get Blue Monday Out of My Head’...
Cover Features
Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars
Features
One of the world’s most respected clubs, Berlin’s Tresor, has been at the forefront of underground dance music for three decades. Led by Dimitri Hegemann...
Features
Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...
With ‘A New Dawn’, AceMo and MoMa Ready — working together under the AceMoMa banner — aim to alter the world’s perception of American club...
Features
With inventive production and animated lyrics in Spanish and English giving unique takes on violence and, of course, weed, Cypress Hill's 1991 debut introduced them...
Leslie delivered the most educated, informed and damning defense of the evening...
fabric had its licence revoked in the early hours of this morning (7th September), at the end of a licensing hearing that saw Islington Council...
Features
Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...
Features
Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...
Features
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in