DJ Mag is sat in Wembley Arena surrounded by thousands of singing children. We’re at a Young Voices event — the largest school choir in...
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Since beatboxing first arrived on British shores from the US in the ’80s, the passion and innovation of UK acts have taken the art to unimaginable heights. Jak Hutchcraft charts the development of the scene, speaking to boundary breakers and educators, and finds it in ruder health than ever
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Manchester-based salute approaches dance music with a refreshingly unpretentious philosophy, which they've applied to their uplifting productions. Inspired by their youth in Vienna and video...
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
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Sticky Tapes, eott and Don’t Keep Hush tell Jack Ramage how they’re helping to shift perceptions around wellbeing in dance music
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Founded by Suraj Mandavia and Eugene Onyango, Kenya’s foremost Afro-house label, Gondwana KE, aims to take African electronic music where few have gone before. Alongside...
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Italo disco is everywhere again. But what does Italo even mean today, and is it at risk of being diluted into a catch-all term for anything with an '80s disco sparkle? Joe Roberts dives into the genre's history, and chats to some of its new devotees and longstanding champions about its ever-evolving sound
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Get acquainted with Grey Code, the Metalheadz affiliated, London-based producer synthesizing new styles of drum & bass
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In-demand DJ and radio host, producer of sound system shakers for labels like Timedance and Ilian Tape, promoter and label co-founder at re:lax, Lauren Bush, aka re:ni, has become a seemingly unstoppable force in UK club music through a combination of hard work and self-belief. Alongside a pulse-quickening Recognise mix, she speaks to Jasmine Kent-Smith about formative club experiences, the importance of role models, and the pursuit of authenticity
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The fierce LGBTQ+ party Trade was the UK’s first legal after-hours club event, opening at 3am and closing at 9am. It laid the groundwork for a new on-and-on party culture, while its sexual and gender diversity was a forerunner for today’s queer club scene. As it celebrates its 30th anniversary, and prepares for its 24-hour birthday party at Egg London, Joe Roberts speaks to some of its regular DJs, designers and founder Laurence Malice about Trade's boundary-breaking legacy
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From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders
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The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Pointless Geometry's FOQL spotlights experimental electronic sounds from the Polish underground
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During a year decimated by lockdowns and venue closures, our need for sonic connection has sparked the resurgence of independent radio across the UK. Here...
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On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
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Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems