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Native Instruments have issued an apology following claims of racism, discrimination and gaslighting from former staff members. The statement comes after multiple former employees criticised the...

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.

Dan and Phil Brookes, aka the Brookes Brothers, have been carving out a unique niche in the liquid drum & bass world since 2006. Smashing up the d&b arenas with their DJing and production skills, this year sees their stock rising still higher…

Why was it important to you to develop a live show over just DJing?
"Playing in a live band is something we’ve always done, since we...

Jamie Jones’ Paradise party at DC-10 has risen to become one of the island’s most popular, but it’s the family ethos behind the successful brand...

Amsterdam – Europe's liberal experiment – a place where culture and beauty sit beside decadence and desire. Where the buildings loom peerlessly above the multiple...

If drum and bass ever had a mainstream moment in America, Roni Size, British producer, DJ and leader of the Reprazent collective, was the movement’s...