On a Saturday lunchtime somewhere in Belfast, Kaidi Tatham — DJ, producer, multi-instrumentalist and one-time member of influential production crew Bugz In The Attic —...
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With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music
Photographer Stuart Linden Rhodes, known mononymously Linden, spent the ‘90s capturing the queer clubbing scene in the north of England on his camera. Now his...
Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...
After years of devotion to New York's club scene, Detroit-born Lauren Flax is more passionate than ever, with acid techno tracks to be perfected, causes to be fought, and lives to be saved through her harm reduction initiative. This month, she shares her journey with Bruce Tantum
When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story
During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’
As venues begin to reopen in England, there are also a plethora of electronic music event spaces launching. Martin Guttridge-Hewitt spotlights 10 new UK clubs...
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in
Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”
Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...
At Portugal’s Semibreve festival, we sat down with Suzanne Ciani, a pioneer of electronic music and modular synthesis, and dance music disruptor Rian Treanor, who...
After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer
Upstart tech like blockchain has been dominating discourse around the music industry's next steps and has become one of the most divisive trends of the past 12 months. Declan McGlynn speaks to Plastician about why he believes it's the future for independent labels, promoters and artists
Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional