Search

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

Spiral Tribe were ‘90s Britain’s hardest hardcore techno crew –  a travelling party troupe of anti-authoritarian acid-adventurers, and a scourge of the establishment. With co-founder Mark Harrison in the midst of writing a book on their story, and PRSPCT Recordings recently releasing a collection of classic cuts from live Tribe duo R-Zac, Harold Heath dives into their history, legacy and vow to 'Never Stop'

Upstart tech like blockchain has been dominating discourse around the music industry's next steps and has become one of the most divisive trends of the past 12 months. Declan McGlynn speaks to Plastician about why he believes it's the future for independent labels, promoters and artists 

Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him

London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live

A new wave of Polish electronic artists are drawing from the country’s musical past and the atmosphere of its Baltic coast to create a fresh take on Ibiza’s Balearic beat. Ben Murphy speaks to artists, promoters, DJs and labels about this unique scene's development

Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall