Daft Punk died twice. On 9th September 1999, according to legend, a studio accident killed off the real-life Thomas Bangalter and Guy-Manuel de Homem-Christo, leaving...
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Ed Rush & Optical are still big in the game. They may have gone through fatherhood and other projects individually, but when they come together...
Spend any amount of time with Ed Rush, be it five minutes or five hours, and he won’t stop talking — and not for one...
Features
Sheffield's Cabaret Voltaire were way, way ahead of their time.
Neil Kulkarni talks to founder Richard H Kirk about apathy, necessity and house music...
Queen of UK urban dance, Ms Dynamite is back with a massive live date at London'??s SW4 Festival and an arsenal of club tunes that...
Ms Dynamite is excited. She’s just finished the DJmag cover shoot and is about to film the video for her brand new single ‘Wot U...
Features
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in
Features
We run through some of the finest parties on offer during Miami Music Week 2024
Features
Last month, 16,000 ravers attended Belfast's AVA Festival at its new home on the Titanic Slipways. DJ Mag traveled to AVA to discover how the event is creating a sense of unity, community and a second wave of rave in the city
Features
Best known among dance music fans for collaborating with Daft Punk on ‘Discovery’s ‘One More Time’ and ‘Too Long’, Romanthony's ‘Romanworld’ found the US producer's...
Features
Georgina Quach discovers how Saigon crew Nhạc Gãy's homegrown sound, queer-friendly ethos and raucous raves are an antidote to tourist-centric nightlife in Vietnam
Features
As part of DJ Mag's round-up of all the best in dance music in 2019, and in the 2010s, we decided to spotlight some of...
Features
Artificial intelligence, the doom mongers say, will make many human jobs obsolete, and some believe it will destroy the music industry too. But the flipside...
Picture this... It’s 2030, and the DJ Mag Top 100 has just been topped, for the first time ever, by an artist created with artificial...
Cover Features
Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him
DJ Mag charts the history of the Aus dance scene, and why the future looks bright...
Shrimps on the barbie, Crocodile Dundee, Bondi Beach, Steve Irwin, Kylie Minogue, the Sydney Opera House; Australia has always touted — for better or worse...
Baldy DJ Lee Burridge sends us his diary every month. This time he reports from Down Under, where he narrowly avoided getting eaten by a...
I had my heart set on Melbourne as one of the seven locations for 365 in the first year.
I chose it for many different...
Features
Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds
Features
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional