Electronic music artists, venues and promoters are failing to do enough to protect fans from online touts, who are selling tickets for more than 10...
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As events begin to reschedule dates for 2021, and with some selling out months in advance, the practise of ticket touting is once again an...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
Tech
We celebrate 303 day with some of our favourite acid experts
Features
The funding of independent radio stations is always precarious, but the current cost-of-living and energy crises threaten their survival. Following the shuttering of Worldwide FM and Bristol’s SWU FM, we look at the challenges facing these beloved cultural lifelines
Features
As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...
Features
After a devastating accident, musician Dax Pierson spent years rehabilitating himself, and working towards a hyper-personal sound. With his latest album, ‘Nerve Bumps (A Queer...
Features
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
<p>A dance fest on every weekend this summer, we've picked the best of the bunch...</p>
Festival season is finally here! Meaning UK clubbers can enjoy a large-scale outdoor dance event without having to jet to Mexico, Miami or Goa —...
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With the release of its first edition – 'For The Mind, Body and Soul' – via Telstar Records in early 1999, the ‘Euphoria’ mix compilation series quickly became one of the most popular and prolific of its kind, launching the big-room oriented trance, progressive and hard house sounds of clubland into the CD drives of thousands. 25 years later, Harold Heath looks back on its legacy, and on how its balance of clever commercial marketing and authentic live energy enshrined ‘Euphoria’ in UK dance music history
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From the histories of global scenes, sounds and labels, to explorations of music’s power to alter the fabric of society and forge communities, here are...
Features
Chicago's Hieroglyphic Being records one hour of fuzzy-and-jazzy live techno for the On Cue mix series, and speaks to Lauren Martin about surviving as an...
Features
Science fiction has long been a muse for techno producers, but three acts – Lost Souls Saturn, Mat Playford and A Sagittariun – are taking...
Features
Born in Jamaica around half a century ago, dancehall music has found fans, artists and chart-topping success all around the globe in the decades since...
Features
One of the world’s most respected clubs, Berlin’s Tresor, has been at the forefront of underground dance music for three decades. Led by Dimitri Hegemann...
Features
Streaming has come to dominate the music industry, but when it comes to actually earning money from plays, the electronic music community has been somewhat...