A camera’s view taken from a drone rises above an London cityscape, revealing countless rows of suburban houses and greenery. Below, a ballied-up teenager starts...
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Results for: Dollop
Features
UK drill videos have played a crucial role in the sound's meteoric rise, with platforms like Mixtape Madness, Link Up TV, SBTV, and Pressplay Media...
He’s spent the last seven years honing an undeniable sound. Now Tchami will unveil his first full-length album, ‘Year Zero’
Features
Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...
Features
Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...
Features
It’s true that house music would still exist if Marshall Jefferson hadn’t been around to guide it — but it’s equally correct to say that without Jefferson...
Features
As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...
Features
Psychedelics have become more popular in the UK in recent years, with some people using them recreationally to address mental illnesses. These drugs are illegal, but...
DVS1 is a true icon. He may have reached the top of the techno tree by a somewhat circuitous route — involving time spent in...
As brutal techno echoes around Amsterdam’s Warehouse Elementenstraat, DVS1 stands on the DJ booth looking perplexed, rotating the subs that line the railing high above...
Cover Features
The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
Who are the most exciting Ram acts now? We delve deeper into the world of Ram...
WILKINSON
29,200 Twitter followers, 126,569 Facebook fans and charting at No.8 in the UK Official Top 40, Wilkinson is big news, but it hasn't always...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?
Features
Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced
Features
For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet
Features
After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer