"It wasn’t designed to be dance music, it was designed to be a futurist statement.” So said Jeff Mills on the subject of techno back...
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Gideon Berger has co-created something amazing with Glastonbury Festival’s Block9 field, but it’s been somewhat to the detriment of his own DJ career. In recent...
It’s mid-summer 1994, and the first anti-Criminal Justice Bill demonstration in Trafalgar Square. There’s over 50,000 ravers packed into the area around the famous London landmark...
Detroit-raised polymath Jimmy Edgar has always stood out as an artist of out-there brilliance. But since starting Ultramajic, alongside Machinedrum and Pilar Zeta, he’s manifested...
"The universe is all about creativity, it's all about learning, it's all about knowledge," Jimmy Edgar ventures when we sit down to talk about Ultramajic...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
We speak to DāM-FunK on the phone from his digs in L.A. to talk Prince, Snoop Dogg, Shalamar and so much more...
When DāM-FunK, aka Damon G. Riddick, answers the phone from his LA home, the funk is soon clear. With a heavily-reclined voice not disimilar to that...
Science fiction has long been a muse for techno producers, but three acts – Lost Souls Saturn, Mat Playford and A Sagittariun – are taking...
Sully celebrates the infinite potential of the breakbeat in his thrilling On Cue mix, and chats to Oskar Jeff about his new release on 2...
Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
As the underground drum & bass label celebrates its 20th anniversary, Critical Music founder Kasra records a breakneck mix of tracks from its catalogue, and chats to Jake Hirst about the imprint’s history and constant evolution
Brooding and austere, Richie Hawtin’s third album under the Plastikman alias is a minimalist masterwork
From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders
We catch up to find out all about his new project...
Carl Craig, one of the most important artists in techno, has been working with an orchestra to breathe new life into some of his back...
I. JORDAN has stormed the electronic music world in the last couple of years with their energising productions and DJ mixes. Their 2020 breakthrough EP...
2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...
DJ Mag caught up with this inspirational figure at the end of another great year...
“I hear things in pieces.”
Kerri Chandler is on the phone in his studio, talking about how he processes music after thirty-plus years in the...