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Results for: Engine DJ 2.0

Ahead of his first ever shows as pioneering Detroit electro unit Cybotron, techno innovator Juan Atkins tells us why he’s revisiting his past — and...

Juan Atkins has always been, in his own words, “a music lover”. Growing up in Detroit, he would treat his parents’ dinner parties as an...

Boys Noize opines on following true love, searching for the perfect sound, meeting Skrillex and Deadmau5, and having a strange relationship with melody...

In Germany towards the end of the nineties, Berlin was synonymous with hard-edged techno sounds but Hamburg was flying the flag for a more traditional flavour of house music. So the young Alex Ridha grew up surrounded by influences from Detroit and Chicago, which provided the fuel for a serious life-long vinyl addiction.

Plus Richy Ahmed, wAFF, Patrick Topping & more...

Jamie Jones’ Paradise party at DC-10 has risen to become one of the island’s most popular, but it’s the family ethos behind the successful brand...

He.She.They is a globetrotting party devised by Steven Braines and Sophia Kearney, aiming to bring together ravers of all genders, sexualities and ethnicities. DJ Mag joined them...

Steven Braines and Sophia Kearney of The Weird & The Wonderful are perhaps one of the most admirable success stories in the music industry. As...

Stepping away from EDM, musical foundations, why Ibiza still trounces Las Vegas, and more...

Kölsch is a man of taste. Well over six foot tall and wearing his signature black Panama hat, he exudes warmth and charisma when we...

Jumpin Jack Frost is one of the foundation pioneers of drum & bass, and still as active as a DJ in the scene as he was...

What’s made you decide to start speaking out about mental health in the music industry?“It wasn’t something I meant to do, it started when I...

Todd Edwards is a house and garage veteran whose signature productions have lit up dancefloors for decades, and whose collaborations with Daft Punk sit in...

Every genre has a resident ‘“nice guy”, but it’s doubtful that they come nicer than Todd Edwards.Todd has been an effervescent presence in dance music...

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Inspired by the sci-fi movies of their youth, the new concert film IRIS: A Space Opera is the latest ambitious venture by Justice. DJ Mag...

It’s a warm, sunny afternoon in northern Paris, and the streets are bustling with people going about their daily business. Locals line the streets trying...

Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...

Eighteen months ago, some of Avalon Emerson’s wishes came true. The first was for 2020 to be “the year of prioritising sleep”, during which she...

Youth and popularity - the fabric that makes up today's music industry. Enter Madeon, he's young, he's popular. Yet, in our five-hour conversation with the...

In under 10 minutes of speaking to Hugo Leclercq, the man behind the construction known as Madeon, it is clear the musical phenom is, inarguably...

Paradox: the numbers game

Three decades and nearly 200 records into his  career, jungle maverick Paradox is still breaking new ground, and earning new fans in the process. Ben Hindle speaks to him about using an old Amiga computer for his productions, keeping the funk in his breakbeat samples, and his dedication to performing live

“At the moment, I’m just trying to think of ways to bankrupt my distributor,” says Dev Pandya, his face plastered with a schoolboy grin. While...

The Sound Of:  boxout.fm Recordings

Showcasing the diversity of sounds on offer in the Indian electronic music scene and inspiring a new generation of artists to get creative, boxout.fm Recordings has evolved from radio station to club night to vital label. Alongside a mix from its catalogue recorded by Mutable Mercury, founder DJ MoCity tells Safi Bugel about the platform’s journey so far

“People think musicians in India only make music that sounds ‘Indian’,” Mohammed Abood, founder of boxout.fm Recordings, explains to DJ Mag. “In reality, there’s a...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

With a new album for Ninja just out, we attempt to unravel the idiosyncrasies of the man behind the music...

To describe Andy Carthy as a one-off is probably to understate the situation. He designs all his own album covers and artwork. He's launched his...