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Best known among dance music fans for collaborating with Daft Punk on ‘Discovery’s ‘One More Time’ and ‘Too Long’, Romanthony's ‘Romanworld’ found the US producer's...

On the face of it, ‘Romanworld’ looks like a pretty conventional electronic music album. Released in 1996 by UK indie Azuli, it rounds up 12...

Shocked by the spate of accidental opioid overdoses in the US clubbing community, DJ and producer Lauren Flax decided to take action. With the help of healthcare professionals and...

Around 150 people every day, or six people every hour, died from a synthetic opioid overdose in the United States last year. The total number...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...

Mason 'Exceeder' album cover featuring a wrestler in a mask and cape

When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story

“You might go to the same restaurant many times, but do you always order the same dish?” grins Iason Chronis, the artist most commonly known...

Ibibio Sound Machine

London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live

"We started a lot of the songs not knowing what was happening, not knowing where the world was really going,” Eno Williams says, talking about...

A selection of 8 press shots of artists featured in DJ Mag’s March emerging artists feature

The latest and greatest DJs and producers rising to the top this month. From masterful footwork and radiant house, to striking Latin beats, eclectic electro, breaks and beyond, here’s March 2024’s list of upcoming talent you should be keeping track of

“I want to see the bodies riding soundwaves, sparkling sweat in the air, and infectious smiles,” says cay horiuchi, whose DJ sets seek to create...

NERVO’s journey has always been about the music, and while it hasn’t always been a smooth ride, everything they’ve encountered along the way has become...

words: ERIN SHARONI pics: ANDREW RAUNER

“Hi! We’re at the airport again!” Liv pops up on the Skype screen, holding her phone at arm’s length...

The Drumcode boss lays it all out in a candid interview...

 On the eve of Drumcode’s 20th anniversary, Adam Beyer sits down with DJ Mag to talk about his label, his family, and what’s possible...

Stepping away from EDM, musical foundations, why Ibiza still trounces Las Vegas, and more...

Kölsch is a man of taste. Well over six foot tall and wearing his signature black Panama hat, he exudes warmth and charisma when we...

Avian accomplices Armand Van Helden and A-Trak are Duck Sauce — the fun-loving duo behind house mega-hit ‘Barbra Streisand’, as well as countless underground club smashes...

It’s hot in Miami as the Duck Tours vehicle leaves its Lincoln Road ‘duck stop’ with a smattering of tourists onboard. “For your safety, please...

Collage of photos taken by Bill Bernstein

Bill Bernstein dedicated three years of his life to capturing the essence of the ‘70s New York disco scene. Here, Simon Doherty talks to him about some of his most iconic photographs, including images of Studio 54, Larry Levan, Odyssey Disco Club Dancefloor — made famous by Saturday Night Fever in 1977 — and more

The year was 1977. The disco scene was peaking, bringing with it unprecedented levels of euphoria. A specific set of sociological conditions (post-Stonewall riot, post-onset...

Press shot of ODESZA

During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’

Every human on Earth possesses a history. The version of you who lived yesterday informed the one who breathes today, and the one to emerge...

Through her radio shows, DJ sets, parties and records, Colleen ‘Cosmo’ Murphy has encouraged dancers and listeners to enjoy the details and synchronicities of music. DJ Mag’s Anna Wall meets...

It’s a humid summer day in London. The streets of De Beauvoir in Hackney appear quiet, but from a distance, the 1960s-built Rose Lipman Building...

From more inclusive dancefloors to world-confronting techno festivals, DJ Mag’s Anna Cafolla speaks to the collectives, crews, and scene stalwarts pushing Poland as a radical clubber’s...

From countries and regions marred by fraught political and social systems, rises a frenetic counter-cultural scene. A post-Troubles Belfast birthed raging punks and clanging industrial...

Signed to Digital Soundboy, stepping into Annie Mac’s shoes, and getting ready for a crazy summer of festival appearances, B.Traits explains how a Canadian country...

In the music industry there are two types of meteoric rise. One is a scary, Susan Boyle-shaped process, where the basking lizard kings of pop pluck an unknown, polish them dumb, tell them what their new name, hairstyle and personality is, and thrust them mercilessly into the light, there to cavort for our pleasure.