March 2017. Luciano, real name Lucien Nicolet, is in Frankfurt airport, and he’s bent double with heart palpitations. He knows something isn’t right: things are...
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We meet the Leeds man in London to talk about hardcore history, subliminal messages and breaking free of genre constrictions — and much more...
Reinvention is a tough gig. But if you get it right, a whole new life is possible. No one in dance music's managed this more...
Is being fit and healthy mutually exclusive from the hedonistic world of dance music? Or can exercise and late-night club culture happily co-exist? DJ Mag...
DJ culture has long been synonymous with a lively hedonistic lifestyle: late boozy nights, early mornings, days and weeks touring on the road — a...
Over the years, has anything offered more sun-drenched hedonism than the Miami party season? Judging by the amount of bikini-ridden, buff-tan parties squeezed into Miami’s...
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SUNSHINE
PARTYING
BLING...
Milan's mischievous crunk house tag team Crookers are primed to be the next dance music superstars. Prior to a momentous gig at London's top dance...
For time immemorial remixes have been the backbone of dance music. A great remix extends the life of a song, makes an average track into...
Features
With mental health and wellbeing one of the principal keynote topics at the International Music Summit (IMS) in Ibiza at the end of this month...
Flying high in the music industry can seem idyllic, but is there a price to pay? Coupled with the perceived glamour is a 24/7 lifestyle...
Cover Features
Dance music has a mental health problem. Sirin Kale speaks to artists such as Luciano, Courtesy and Marie Davidson, as well as some PRs and...
Features
One of the world’s most respected clubs, Berlin’s Tresor, has been at the forefront of underground dance music for three decades. Led by Dimitri Hegemann...
Features
The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...
Features
As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...
Features
Psychedelics have become more popular in the UK in recent years, with some people using them recreationally to address mental illnesses. These drugs are illegal, but...
Detroit-raised polymath Jimmy Edgar has always stood out as an artist of out-there brilliance. But since starting Ultramajic, alongside Machinedrum and Pilar Zeta, he’s manifested...
"The universe is all about creativity, it's all about learning, it's all about knowledge," Jimmy Edgar ventures when we sit down to talk about Ultramajic...
Following the massive 'Mr Spock', Dirtybird's Justin Martin finally gets the props he deserves...
San Francisco’s Dirtybird Justin Martin has been bubbling under for years as your favourite underground DJ/producer. But the amiable tech house nut has his sights...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
Flawless DJ, frequent hitmaker, dedicated mentor: Tony De Vit was a true hero of UK dance music. The most high-profile resident at hedonistic queer club Trade, he helped create the hard house sound, and was renowned not only for his impeccable mixing, but his compassion and care for others. Ahead of a new documentary, and with hard house at large once more, Stewart Who? reflects on his legacy with those he was close to, and those he influenced
Features
It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?