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Matthew Dekay holds forth about label

Growing up in Holland as a classically trained musician, Matthew Dekay today stands at the forefront of Berlin's deep house and techno scene.

With a...

J Shadow by Chelone Wolf

J-Shadow blends weightless rave experimentation with depth-charge bass, breaks and garage in his 100% productions mix for the Fresh Kicks series, and speaks to Ben Hindle about storytelling through music, the influence of science and nature, and his new album for Keysound

J-Shadow is something of an enigma. Search online and you’ll discover very little about the man, but you will increasingly find his music. In just...

Is dance music suffocating under a wave of beige productions or are we just jaded? Harold Heath argues that artists need to take more risks...

The kick-drum drops out, reach towards the ceiling, the air is filled with whoops and whistles. Then a long whoosh of white noise simultaneously builds the...

Creating a safe environment on the dancefloor is crucial for the mental wellbeing of all club-goers, particularly those from marginalised communities. Christine Kakaire speaks to...

In late 2015, the animated TV series South Park aired an episode called ‘Safe Space’. The phrase had been used in activist communities since the...

At Portugal’s Semibreve festival, we sat down with Suzanne Ciani, a pioneer of electronic music and modular synthesis, and dance music disruptor Rian Treanor, who...

As electronic music evolves, its web becomes trickier to trace. As historical strands reach outward and merge, creating new sounds, performance styles and scenes, the...

The pressure dome logo in luminous yellow text on a black background. A luminous yellow astronaut, planet and round space ship are also in the scene

Founded by Bristol DJ/producer Yushh in 2019, Pressure Dome’s focus on emerging talent and varied compilations has made it a key force in pushing UK club music to new heights. Here, alongside a mix from its catalogue, Oli Warwick learns more

A fresh spin on a beloved sound, a pool of slept-on talent, a sharp aesthetic — there are plenty of magic ingredients that make a...

U K, G?: the electronic music collectives opening up conversations around mental health

Sticky Tapes, eott and Don’t Keep Hush tell Jack Ramage how they’re helping to shift perceptions around wellbeing in dance music

The stigma surrounding mental health has drastically changed over the last decade, with people beginning to realise how important it is to talk about their...

Putting on parties demands optimism even at the best of times. After an unimaginable 20 months, the limits of hope continue to be tested. Will...

Joshu Doherty has been putting on parties for nearly 15 years, but it’s never been this difficult. “The last five months,” he says, “have been...

Inspired by the sci-fi movies of their youth, the new concert film IRIS: A Space Opera is the latest ambitious venture by Justice. DJ Mag...

It’s a warm, sunny afternoon in northern Paris, and the streets are bustling with people going about their daily business. Locals line the streets trying...

Photo of Bad Snacks wearing a pink and blue jumper against a pink background

In life’s messier moments, it’s only natural to seek out a place of comfort. On her new ‘Home Music’ EP, the violinist and producer known as Bad Snacks tells the story of how she regained a sense of belonging through soaring instrumentals and a soothing spin on upbeat house

There’s something inherently comforting about the “This Is Fine” meme. You know the one, where the dog is smiling numbly into the abyss, enjoying his...

Best known among dance music fans for collaborating with Daft Punk on ‘Discovery’s ‘One More Time’ and ‘Too Long’, Romanthony's ‘Romanworld’ found the US producer's...

On the face of it, ‘Romanworld’ looks like a pretty conventional electronic music album. Released in 1996 by UK indie Azuli, it rounds up 12...

Left: 10 album packshots chosen by Nkisi. Right: Nkisi performing live, leaning over a table of electronic equipment while blowing on a digital wind instrument

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Nkisi spotlights ritualistic acid rhythms, “electronic voodoo music”, Belgian new beat, EBM and more

Nkisi’s fiercely rhythmic music maps a route from ancient rituals to futuristic hard dance. In her live performances and catalogue of releases for labels like...

Daft Punk is dead, long live Daft Punk: the limits of a brand beyond the band

Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in

Daft Punk died twice. On 9th September 1999, according to legend, a studio accident killed off the real-life Thomas Bangalter and Guy-Manuel de Homem-Christo, leaving...

We explore the implications of the fire at Apollo Masters and ask, 'What's the future of vinyl production?'

On Thursday 6th February, a devastating fire burned the Apollo Masters factory in California to the ground. Luckily, none of the staff were harmed in...

Get acquainted with South London's Fred again.., the Brian Eno-mentored producer creating emotive, collaborative dance anthems