Search

Barely a week goes by without some muso or other declaring the death of the mix CD. And you can understand why, given the proliferation of free mixes that pop up like pop-ups each and every day on the worldwide web. Once every four or so years, though, all that changes, people forget to argue and unite in appreciation of the form once more.

Following the 20-year cycle of cultural revival, it's not just '90s fashions and sample libraries that have come back around onto dancefloors. Buoyed by America’s repackaging of dance music as EDM and pop’s perpetual shapeshifting, house music is finally back at the top of the charts.

With summer just around the corner, the temperatures are warming up and rave fever is about to hit excited jet-setters planning on heading to the...

When slo-mo disco cut 'It's You' by The White Lamp appeared on Futureboogie in 2012, DJ Mag thought that a new talent had arrived. With...

So you’ve bought your first set of decks, or maybe you’ve finally upgraded your equipment or even just added some CDJs for the first time... happy...

A State of Trance has announced the line-up and running order for its stage at Ultra Music Festival in Miami on Sunday 25th March.

Softening...

Richie Hawtin opened up about why he embarked on his new CLOSE live show, explaining that “DJing is much easier than it ever was”.

Known...

Slam return to their own Soma Quality Recordings imprint with their ‘Machine Cut Noise’ album, which is out today (Friday 28th October). We’ve got the...

The latest in our series of our international Mixcloud playlists takes us to Brazil, home of carnival, samba, and some of our favourite clubs and...

Mixcloud is an essential platform for discovering and sharing DJ mixes and radio shows. It is a place where up and coming artists sit side...

First record you ever bought?
“Ha! It was Artemesia 'Bits and Pieces [Hooj Choons]'. Being in the northwest UK, it was all about 'the bounce'.”...

“First club gig, I was like 16 in my hometown Warrington, a club called Casi that we all used to go to, they would just let anyone in. No monitors and I had to cart my own decks down, but it really gave me a taste for playing in front of people and on a big soundsystem.”

“I remember spending some vouchers I got for my birthday about age eight on a reggae compilation tape, which is quite random.”

Sounding like a manifesto for EDM and a call to once chart-topping pop and hip-hop artists to evolve or fade into the background, the title...