Rochelle Jordan is sitting in her car, the AC whirring in the background. It’s the tail-end of LA’s latest heatwave, and though you wouldn’t know...
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After the 2014 release of ‘1021,’ London-born, Toronto-raised, and LA-based artist Rochelle Jordan went through years of business and health-related difficulties, finally coming out the other end with last year’s emotion-drenched ‘Play With The Changes.’ A new remix album, featuring brilliant work from DJ Minx, Byron The Aquarius, Machinedrum and other notable acts, lifts Jordan’s theme of rejuvenation into a thrilling new phase
When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story
During the pandemic, music tech thrived as the wider music industry fell to its knees. Declan McGlynn explores the possibilities and implications that stemmed the...
How can we make clubbing better for disabled people? When events return in 2021, clubs need to be more accessible for disabled guests and performers...
T2 was only 18 when he dropped ‘Heartbroken’: a sweet, infectious bassline tune that rocketed to No. 2 in the charts in 2007. Owing...
Part of a collective of East London MCs pushing UK drill into new territory, V9 (pronounced Venom) speaks to DJ Mag's Rob McCallum about his...
DJ Stingray is the Detroit electro pro whose razor-sharp mixing and production chops are the result of years of accumulated skill and knowledge. Now among...
There are many ways to frame the story of Sherard Ingram’s unique rise and stature as one of techno and electro’s most consistent, authentic and...
From the Minimoog to the Roland TR-808...
Some of the most important innovations in electronic music came about by mistake. Whether it be the way that Roland's TR-808 and then the TR-909...
It’s upon us at last. The long-awaited sequel to Trainspotting — the definitive cult film of the 1990s — is released this month, and we’ve...
Unless you've been locked in Berghain for the last six months, you'll know Trainspotting 2 — dubbed T2: Trainspotting — is set to pull into...
We take a look into what people are calling the 'primitive sound'
There's a fresh sound that's bubbling up from the underground to challenge dull dance and ridiculous stadium rave. Influenced equally by the early stirrings of...
Dance Mania transformed Chicago house from its '80s roots to a rough, raw, x-rated version that banged harder than anyone else. Now, after 13 years...
If Live Nation, SFX and Beatport owner Robert Sillerman is hoping to monopolize the world of EDM, then he may just be copying Daft Punk...
Baldy DJ Lee Burridge sends us his diary every month. This time he reports from Down Under, where he narrowly avoided getting eaten by a...
I had my heart set on Melbourne as one of the seven locations for 365 in the first year.
I chose it for many different...
DVS1's new service Aslice asks DJs to donate a percentage of their fees to the artists whose music they play. Will it revolutionise how producers are paid in electronic music?
Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him