Michael Diamond will release his debut album, ‘Third Culture’, via Vasuki Sound this summer. Listen to ‘Emergence’ below. Across seven tracks, ‘Third Culture’ merges “ethereal...
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The Kerala-born, Oxford-based producer explores the complexities of “third culture” identity across seven-tracks of jazz-influenced electronics and UKG
The survey is a response to the struggles that promoters are currently facing to sell tickets for events
In the most recent Brand Focus, DJ Mag catches up with the Handy Supply Co that sells streetwear inspired by an ‘80s and ‘90s aesthetic
The Femme Culture boss joins our rising talent mix series...
Elkka joins our Fresh Kicks mix series with a percussive workout packed full of swing!
As head of the Femme Culture collective, Elkka has been...
DJ Mag's digital tech editor rounds up the best Christmas gifts for DJs and producers in 2021. Whether it's for yourself, a partner, a family...
Outlook Festival revs up for another weekend of mind-blowing bass with two new arenas
Every single weekend this summer, it seems, there is something new on for Brits in need of a holiday in the sun with rave benefits...
Four new techno tracks from the Belgian star out now via her label
The project has been launched alongside an exclusive mix by DJ Lag
War Child UK has launched a new fundraising platform with a focus on underground music.
The project, dubbed The Right To Dance, will, a press...
King Yoof's wicked junglistic dubwise breakbeat
King Yoof grew up in Lewisham, south-east London with his mum.
“When she was at work, a Jamaican family who lived next door looked after...
Today, 1st May, and on the first Friday of June and July, Bandcamp will waive its revenue fee for 24 hours, with 100% of spending...
It will feature contributions from the late artist's friends, family and collaborators
The life and legacy of MF DOOM is to be explored in a new podcast series.
Season 2 of MC Serch's podcast, Did I Ever...
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in