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Legendary chill-out producer Steve Miller (Afterlife) and international DJ/producer Pete Gooding collaborate as No Logo. Steve tells DJ Mag what they Can’t Live Without…

Call Super will join the long list of esteemed contributors to Fabric's self-titled mix series later this month.

Said to focus on the "late hours"...

Down grimy Curtain Road, there's a massive queue leading up to a dingy little door bookended by two huge bouncers. This is Plastic People, the...

Oliver Heldens is set to play at Electric Daisy Carnival UK at Milton Keynes Bowl on Saturday 9th July, and this week he’s given DJ...

DJ Mag catches up with Scottish DJ/producer Jackmaster at the International Music Summit in Ibiza, to talk his brand new DJ-Kicks mix, raving at sea...

There are few names in the production world that enjoy the same status as SSL, who have been building some of the world’s most desirable...

Ableton’s award-winning software is now up to version 9, but will it still stand up against its uber slick production rivals? DJ Mag sneak a crafty peek...

Taller than the average set of speakers, the EX66s (£499 from m-audio.com ) are the new top-of-the-line studio monitors from M-Audio. Each one uses two...

Carl Cox is set to drop a new mix this month, comprised exclusively of tracks from his Awesome Soundwave label.

The mix will air on...

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Berlin’s Santé emerged as part of a wave of new producers with a different cut to their electronic jib...

This week we will be joined by none other than the pivitol Hospital Records, to celebrate Nu:Tone's fourth studio album 'Future History'. it's...

“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” 
Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.

"The first time I used the EQ-1 was back in 1996 when I made the tune 'Represent' with Brockie at his studio in Ilford. He'd...

Adam Beyer’s Drumcode is the at the top of techno’s family tree, so the latest episode of Drumcode Radio Live, its 439th edition to be...