As styles and sounds establish themselves in the ever-expanding electronic and dance music landscape, there are few better crash courses than a good compilation. In...
Search
Results for: Local Action
2019’s best compilations celebrated innovative styles and fusions from across the globe, as well as some of underground dance music’s formative sounds. Below, you'll find...
Cover Features
Ukraine’s Nastia could be techno’s most outspoken DJ — a world famous artist who matches her razor-sharp skills behind the decks with an honesty on...
When DJ Mag meets Nastia in the lobby of her upscale Berlin hotel one rainy winter’s afternoon, she doesn’t smile, and almost looks a little...
Features
From their Berlin creative hub, production duo Âme — who made the evergreen house classic ‘Rej’ — talk about their record shop, distribution arm and...
Kristian Beyer and Frank Wiedemann, better known as Âme (that's pronounced 'arm', for the record, not 'ahh-may') often refer to their relationship as being like...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
Two generations of Black women speak about their experiences in dance music
The main room sound of Porter Robinson
Only 20-years-old and already a dance music star, with Top 10 chart hits in the UK, a residency in Las Vegas and US wide tours under his belt, Porter Robinson is the new face of the hugely popular big room electro house sound. But as it turns out, he spurns fame, cringes at the acronym EDM, and draws inspiration from musique concrete to Daft Punk. DJ Mag has a pint with him in a grimy North London boozer to learn more...
Features
Mixing elements of jazz and ambient with drum & bass, LTJ Bukem’s now-classic 1996 release via Good Looking Records was a statement of intent, and remains one of the genre's most fulfilling and impactful releases to this day
DVS1 is a true icon. He may have reached the top of the techno tree by a somewhat circuitous route — involving time spent in...
As brutal techno echoes around Amsterdam’s Warehouse Elementenstraat, DVS1 stands on the DJ booth looking perplexed, rotating the subs that line the railing high above...
Features
In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, They Hate Change spotlight deep Florida breaks and bass, Gulf Coast gold, jam bands, indie, dub and more
Tech
Marking the release of their debut album, we speak to Robin Stewart from beloved Bristol techno punk duo, Giant Swan, about how their live show works...
DJ Mag charts the history of the Aus dance scene, and why the future looks bright...
Shrimps on the barbie, Crocodile Dundee, Bondi Beach, Steve Irwin, Kylie Minogue, the Sydney Opera House; Australia has always touted — for better or worse...
Features
DJ Mag's new Solid Gold series revisits and examines the ongoing significance and influence of electronic albums throughout history. In this month's edition, to mark...
‘Selected Ambient Works 85-92’ was the creation of the fevered imagination and unique musical mind of Richard D James, an artist who’s gone under a...
Cover Features
From her label to her radio show to her MoodRAW and MoodZONE events, Nicole Moudaber has emerged as techno’s most tireless ambassador. DJ Mag North...
Nicole Moudaber loves to keep moving. Everything about the DJ, producer and label boss evokes constant motion, from her propulsive, percussive music to her trademark...
Thievery Corporation return with ‘Saudade,’ an ode to music's ability to wring beauty from sadness...
Thievery Corporation resides on opposite sides of the North American continent. The duo’s Eric Hilton remains in its original home of Washington DC while the...
We talk to the slo-mo house heads, The White Lamp
When slo-mo disco cut 'It's You' by The White Lamp appeared on Futureboogie in 2012, DJ Mag thought that a new talent had arrived. With...