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Lamin Fofana’s music is reflective and complex, lucid and transportive, absorbing and beautifully abstract. More crucially though, for the Berlin-based Sierra Leonean artist and those...

'Don't call it a come back', sang LL Cool J, and he might well have been talking about MK, aka Marc Kinchen. Detroit...

It’s arguable that, Goldie aside, nobody did more to disseminate drum & bass in its early years than DJ/producer/label kingpin LTJ Bukem. His spacey, rolling...

Korg is a name best known for producing some of the best synthesisers that have ever been made. Almost every producer who grew up in...

If last month's choice selections didn't make it clear already then the Top 30 UK events in June 2018 certainly will. It's now festival season...

Since starting their infamous blog, Feel My Bicep, Andy Ferguson and Matt McBriar, aka Bicep, have become dancefloor heavyweights known for their impressive record collections...

Will the new V2 upgrades to Allen & Heath's DB4 and DB2 mixers warm up the fingers of our guest reviewer, or will they leave him with a severe case of frostbite?

Some days you wake up and just have a blinder — for Dusky that blinder has been pretty much every day for the last year. It’s fair to say that the London duo have — in technical parlance — well-and-truly smashed it. Number #1 iTunes Dance Single of 2012? In the bag with the beyond-ubiquitous 'Flo Jam'. Radio 1 Essential Mix? Done, knocked off with style, and shortlisted for mix of the year. They’ve helped shift the paradigms for dubstep and house, had productions rinsed by everyone from Loefah to Calvin Harris, and killed it in Ibiza at DC-10. Ebullient and still humble, is it any surprise that Dusky producers Alfie Granger-Howell and Nick Harriman are loving life right now?