It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...
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The sharp-tongued, genre defying, Asaf Borgore isn’t a “PC” social figure. However, we find out that what’s really on Borgore’s political agenda is to spread...
This guy must be an imposter. The laidback gentleman posing for the camera during his DJ Mag USA photo shoot in New York City can’t...
Ahead of Paper Recordings' new doc, Northern Disco Lights...
Birthed in Bergen in the '90s, the quirky, elusively pinned down sound of Norwegian/Scandi/nu/cosmic disco — or whatever you call it — is a difficult...
The past, present & future of the most important festival in the Balkans...
Exit isn't a festival, it's a movement. Held each year in a gargantuan fortress that sits atop Serbia’s second capital of Novi Sad, Exit is...
DJ Lee Burridge sends us his diary each month. This time, he reports from Miami and all the craziness of his '365' world tour.
'365' World Tour Diary - Destination: MIAMI Each month Lee tears the pages out of his diary and sends them to DJmag.com
Words: Lee Burridge...
Tracing the journey of the d&b kid from the Midlands...
Goldie is back with an amazing new album. And not just any old album either. Hugely ambitious in breadth and scope, 'The Journey Man' is...
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Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
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South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
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The latest and greatest DJs and producers rising to the top this month. From stomping techno and jazzy breaks to experimental reggaetón and melodic house, here's February 2022's list of upcoming talent you should be keeping track of
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From the histories of global scenes, sounds and labels, to explorations of music’s power to alter the fabric of society and forge communities, here are...
The latest and greatest DJs and producers rising to the top this month. From high-velocity techno and house to psychedelic jazz and d&b, here's March...
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Across South-East Asia, a new generation of rappers is emerging. Drawing on the explosion of US trap and contemporary hip-hop sonics, and creating new flows...
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The latest and greatest DJs and producers rising to the top this month. From rich, experimental techno and ambient to festival-ready house and trance, here's...
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Despite being largely ignored by the west, Moscow has had a rich bass scene for over a decade. After reaching an impasse in 2015 as...
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Akala's Natives: Race And Class In The Ruins Of Empire is a fiercely honest appraisal of growing up poor and mixed race in broken Britain...
MC Akala, the stone cold power-fisted slayer of Charlie Sloth’s Fire In The Booth freestyle session, can also take down any quasi-righteous, over-privileged member of...
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Amsterdam Dance Event returned for its annual industry takeover earlier this month, showcasing more than 1,000 events at over 200 venues. With ADE back in full force post-pandemic, DJ Mag's Amy Fielding, Ben Hindle, Carl Loben, Ria Hylton and Rob Mccallum head out to the Dutch capital to sample the plethora of panels, parties and workshops on offer