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Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, DJ Mag’s Dhruva...

As we grow, and shed layers of our past, we often don’t recognise the changes happening. We feel bitter in these moments; the cards we’re...

In the UK grime scene, the spotlight has usually shone on MCs. Instrumentals have long remained a niche point of interest, a topic for more...

Who are the producers shaping the sounds of UK rap and grime right now? 2019 seems as good a time as any to be considering...

Lady Shaka

Global club beats, queer femme energy and Pacific Island identity come together in Lady Shaka’s joyful Recognise mix.  Ahead of her appearance at Sónar Festival this month, the DJ and interdisciplinary artist speaks to Anna Cafolla  about building connections around the world, uplifting her communities, and her Pasifika club sound

“Kia ora!” Lady Shaka greets New Zealand’s debut Boiler Room show. This is FILTH, a radical club community that centres QTBIPOC, and their first post-Covid...

As a show of solidarity to support the artists and labels impacted through the cornavirus pandemic, we've launched a weekly roundup of the most vital...

The pandemic of the novel coronavirus, COVID-19, has had a devastating impact on our scene, leading to the cancellation of countless club nights and festivals...

In response to big room club culture, a number of grass roots promoters, venue managers, artists, and opportunists are seeing success from putting on free...

Last year’s International Music Summit report showed that over one-fifth of British nightclubs closed in the year to December 2018. The tip of a more...

As part of DJ Mag's round-up of all the best in dance music in 2019, and in the 2010s, we decided to spotlight some of...

One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...

By the early ’90s, dance music in the UK was already a complex beast. US house and techno cross-pollinated with synth-pop, rare groove and soundsystem...

 Best Of British powered by Relentless Energy Drink is our chance to shine a spotlight on the homegrown stars who fill the pages of our...

BEST DJ: ANDY C

The drum & bass don has scooped the Best DJ gong for the second time in this year’s vote...

“It’s the...

DJ Mag delves into the history of dance culture’s Woodstock...

In 1992 there was a festival in the UK that changed the course of dance music history. A culmination of the acid house explosion, it...

The Dutchman cuts through the crap and criticisms and discusses the EDM boom, the concept of selling out and gives us an insight into his...

Multi-platinum selling producer, DJ to tens of thousands every week and EDM figurehead: Afrojack is undeniably one of global dance music’s biggest names. In a refreshingly frank interview, the Dutchman cuts through the crap and criticisms and discusses the EDM boom, the concept of selling out and gives us an insight into his upcoming album...

Recognise: Ploy

Ploy demonstrates his percussive, pulse-racing and sub-bass-shaking sound for the Recognise mix series, and speaks to Katie Thomas about gradually finding his groove on imprints like L.I.E.S, Hessle Audio and Timedance, and his new label and party, Deaf Test

In February 2020, Ploy shared a bill with Batu and Loraine James, celebrating five years of Batu’s label, Timedance. Playing the closing hours of the...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

Soundsystem artwork 1

Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future 

It’s the Thursday before Notting Hill Carnival and Linett Kamala, board director of Europe’s biggest street party, is weaving through the streets of Kilburn. Her...

The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...

It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...

Photo of the four members of Girls Don’t Sync in the booth together

Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.

Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...